Taylor York Quotes
Quotes to Explore
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I know only two tunes: one of them is 'Yankee Doodle', and the other isn't.
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With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.
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If you aren't in over your head, how do you know how tall you are?
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I don't know why directors sign on to these projects and completely rewrite everything.
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You know once you get in the business you know what you're getting into.
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Besides that, I felt guilty. I thought for some reason... I was alive, and Buddy and those boys were dead, and I didn't know how, but somehow I'd caused it.
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We all know guys who've had their hearts broken in real life; we just don't usually see it in the movies.
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We saw very little of the real Jack Buck behind the microphone. He would touch people in ways that we will never know. Jack was much more than just an announcer.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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I think everyone in Hollywood works on multiple things because you never know what's going to happen with your projects.
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I do things, and other people laugh at them. I rarely know what the joke is supposed to be or why they're laughing.
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Listen, when somebody says, 'I take the fifth,' well, you know, they did something, OK? Why else would they take the fifth?
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The only way you know what it is to be a boxer is to be one.
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I veer away from trying to understand why I act. I just know I need to do it.
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I mean, we sit around and we go, you know, 'Torture doesn't work.' Well, it's been around for 5,000 years. Most stuff that doesn't work goes the way of the dodo pretty quick, like waterbeds and 8-tracks and things like that.
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For me, there are always things to learn. It's like the next movie is going to be the good one, you know.
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Comedy's really subjective, you know.
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There's like ten minutes when it's like, 'Okay, wait, who is this guy again?' And then, you know, I just put on the calculator watch and the glasses, and just be all, you know, inappropriate. And then it just works out fine.
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I think the worst thing that could have happened to me would have been having a hit at 20. I don't know what that would have done to me. But instead, I had to scrape a living for years. And my first show, which opened in 1969, lost over £45,000, an absolute fortune then.
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I've worked very hard to become comfortable with how death works and why it happens. I now know that death isn't out to get me.
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I am a Yankees fan. I should say - have been to more Yankees games than Mets games.
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When I think of Tokyo Story, yeah, it is like a novella. That doesn't mean it's not great. Some of my favorite Tolstoy works are his novellas.
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You know, I'm not ready to go anywhere. I still have more to do in Paramore.
