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Because these thingsWill change.We can see it now.These wallsThat they put up,To hold us backWill fall down.It's a revolution,It's how we'll become.Who we'reSupposed to be.We'll sing hallelujah;We'll sing hallelujah.Oh.
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Fans are my favorite thing in the world. I've never been the type of artist who has that line drawn between their friends and their fans. The line's always been really blurred for me. I'll hang out with them after the show. I'll hang out with them before the show. If I see them in the mall, I'll stand there and talk to them for 10 minutes.
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I don't have big security guards. I don't have an entourage.
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I'm not concerned with people seeing me in a certain way. Some people see me as a kid, some people see me as an adult. But I'm seriously not going to complain how anybody sees me, as long as they see me.
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Poetry and lyrics are very similar. Making words bounce off a page.
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I don't know if I could do this with the same energy, and in the same way - all the costume changes and glitter and hair and makeup - all the time. When I'm in my 50s, I kind of think I'll want to be in a garden.
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It never mattered to me that people in school didn't think that country music was cool, and they made fun of me for it - though it did matter to me that I was not wearing the clothes that everybody was wearing at that moment. But at some point, I was just like, 'I like wearing sundresses and cowboy boots.'
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Most of the time, songs that I write end up being finished in 30 minutes or less.
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I really like Lady GaGa and everything she is for her fans.
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But she wears short skirts, I wear t-shirts.She's cheer captain and I'm on the bleachers,Dreaming 'bout the day when you wake up and findThat what you're lookin' for has been here the whole time.If you could see that I'm the one who understands you,Been here all along so why can't you see?You belong with me;You belong with me.
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I heard that when Christina Aguilera went back to her prom, people, like, booed her. I can't imagine going through that. If you know that's going to happen, why put yourself in that situation? I'd rather play for 20,000 screaming people, you know?
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For me, when I picture the person I want to end up with, I don't think about what their career is, or what they look like. I picture the feeling I get when I'm with them.
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I think fearless is having fears but jumping anyway.
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I put out one album one week, and I'm already worried about the next one. I feel a lot of emotion throughout the course of a day. But not to the point where you need to be worried about me.
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My style advice to other girls is to be experimental but always have a 'home base' and stick with your comfort style.
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I've written all my songs on every single one of my records, and that's what's been fun about looking back.
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Red is such an interesting color to correlate with emotion, because it's on both ends of the spectrum. On one end you have happiness, falling in love, infatuation with someone, passion, all that. On the other end, you've got obsession, jealousy, danger, fear, anger and frustration.
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I have this fear of falling in front of large groups of people. That's why I tend not to wear heels.
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I'm a girls' girl. I have guy friends, but the problem with having guy friends is, like, I always get linked to them, and they'll end up in a slideshow of people I've apparently dated on the Internet.
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I'm interested in Jackson Pollock's kind of art, where art is beautiful, but it's nothing, and yet it's incredible.
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In this business you have to develop a thick skin, but I'm always going to feel everything. It's my nature.
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The most miraculous process is watching a song go from a tiny idea in the middle of the night to something that 55,000 people are singing back to you.
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I've always felt music is the only way to give an instantaneous moment the feel of slow motion. To romanticise it and glorify it and give it a soundtrack and a rhythm.
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One of the things people don't really recognise about the similarities between country and hip-hop is that they're celebrations of pride in a lifestyle.