Gavin de Beer Quotes
What mechanism can it be that results in the production of homologous organs, the same 'patterns', in spite of their not being controlled by the same genes? I asked this question in 1938, and it has not been answered.
Quotes to Explore
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I always knew I had a voice and I've always known I could sing, but I was too shy to let it come out. I think it's the hardest thing to do, to sing in front of people. When I finally let go and did it, I realized it's what I'm most talented at and what I love to do the most.
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My mother had me when she was 15. My father died before I was born. So my mother was a teenage widow, and she used herself as her greatest example so I wouldn't end up in her position.
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One billion grains of sand come into existence in the world each second. That's a cyclical process. As rocks and mountains die, grains of sand are born. Some of those grains may then cement naturally into sandstone. And as the sandstone weathers, new grains break free. Some of those grains may then accumulate on a massive scale, into a sand dune.
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In China, I realized that if you visit often enough and learn the language, you will be assimilated, but you'll still be kept at arm's length; you'll always be looked on as a foreigner.
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That quality is what makes women great collaborators; we understand it's a team effort. Even if it comes from society telling us to be polite.
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What else could he possibly have done? What choices did he ever have?
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The art of drawing conclusions from experiments and observations consists in evaluating probabilities and in estimating whether they are sufficiently great or numerous enough to constitute proofs. This kind of calculation is more complicated and more difficult than it is commonly thought to be. . . .
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A severe apprenticeship in the trade of praying must be served in order to become a journeyman in it.
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Most people fear pain. I've learned that not feeling pain is a much more frightening proposition than feeling it. In fact, there are times when I'm playing when I actually enjoy it.
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You learn by trying and failing. Just a lot of hard work and mistakes.
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It's a landscape that has to be seen to be believed. And, as I say on occasion, it may have to be believed in order to be seen.
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Words lead to deeds, they prepare the soul, make it ready, and move it to tenderness.
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I think that that's something that the Japanese are very concerned about and they're going to have to do something about in the near term. I think it's good for the world economy to have a strong Japanese economy. And their situation has been not very good for quite a long time.
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I've talked to people who say that their music and their creative work is a much needed and appreciated escape, where they don't have to think about the state of the world; they're not even thinking about themselves so much. They're not trying to express their own experiences of that day or relationship strife or anything.
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Never having thought of writing for the guitar, I asked Julian Bream for a chart which would explain what the guitar could do. I managed to write some rather pretty pieces for him, except that the first six notes of the first piece all need to be played on open strings. So when he begins to play the audience will probably think he's tuning the bloody thing up!
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I am not ridiculing verbal mechanisms, dreams, or repressions as origins of poetry; all three of them and more besides may have a great deal to do with it.
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I think Easter is most profoundly about meaning, not mechanism.
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What mechanism can it be that results in the production of homologous organs, the same 'patterns', in spite of their not being controlled by the same genes? I asked this question in 1938, and it has not been answered.
