Geert Wilders Quotes
Quotes to Explore
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I consider myself a blue-collar actor, just chugging away.
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It's important for women to work. They need to keep their independence, to keep earning and being challenged.
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I'll watch CNN in the mornings to catch up on what's going on. On the weekends, I get the Sunday edition of 'The New York Times.'
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The influence of blogging is overall a very positive force in the media.
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By constant contemplation of excellence, we clear our selfhood of all dross and impurities.
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I theorize that there is a spectrum of consciousness available to human beings. At one end is material consciousness. At the other end is what we call 'field' consciousness, where a person is at one with the universe, perceiving the universe. Just by looking at our planet on the way back, I saw or felt a field consciousness state.
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Creativity can only be anarchic, capitalist, Darwinian.
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I think I learned about the relationship between books and life from Margaret Mitchell.
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But probably my favorite music, believe it or not, is sad music.
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My life is so full of sacrifices.
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If I wrote a Jewish superhero, he'd have awesome time-traveling powers. I'd call him Doctorow.
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It is an immutable law in business that words are words, explanations are explanations, promises are promises-but only performance is reality.
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I have no desire to make money off musicians. I just want to promote them because I want to share music.
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The personal computer can be a virtual device.
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When I was 5 years old, my mother read me 'Gone With The Wind' at night, before I went to bed. I remember her reading almost all year.
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After the falling out with my father, I worked on a couple of ranches - thoroughbred layup farms, actually - out toward Chino, California. That was fine for a little while, but I wanted to get out completely, and twenty miles away wasn't far enough.
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Before I can live with other folks I've got to live with myself. The one thing that doesn't abide by majority rule is a person's conscience.
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A lot of the stuff that's happening now, I can trace back to 'Death of a Salesman.' Francine Maisler, the casting director, saw 'Death of a Salesman' and called me in for 'Unbroken.' The casting director of 'Normal Heart' had seen 'Salesman' too. I look back on it now, and it's like one thing led to another; it was a chain reaction.
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Much of the magical effect that poetry gives of rendering everything it touches pellucid comes from the necessity of compression that it imposes. The impossibility of pausing in poetry as long as may be needed to make sense clear causes many a set of words actually deficient in linguistic workmanship to pass for an eloquent brevity.
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I grew up in D.C. but always had a love affair with New York. I did 'Central Park West,' 'Sex and the City,' 'Law & Order.'
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I got into DJing and making beats when I was about 17. I was always fascinated by the four elements of hip-hop: you know, writing, rhyming, breakdancing and graffiti.
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Looking back now at my first World Cup experience, I didn't know what was going on. I was a newbie and I had no idea what to expect.
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I've always done pretty well in auditions. I just go in and give it my best shot.
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Don't be afraid of me. I'm a law maker I'm not a law breaker.
