Talib Kweli Quotes
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Being called 'conscious' is a great thing to be, but it's the connotations and preconceived notions that come with the buying audience about what conscious music can be.
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I met Mos Def around that time but I didn't hook up with him until I was about 17 or 18.
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I think its man's nature to go to war and fight.
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Even an independent label is looking for a hit, they're not looking for a record that's not gonna do well.
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If I'm performing with a DJ, it's all on me to draw the energy. I like the camaraderie of a band.
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Before Eminem, the idea that there would be a white rapper that anybody would really check for was fantastic or amazing or impossible.
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You have to learn how to harness technology so you can use it for positive stuff without being disconnected from nature.
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My fondest memories were watching the Beastie Boys get prepped to come on stage. They had a lot of antics and they play a lot of basketball... then they were giving out cameras to the crowd, and performing from the bleachers. The most important thing I learned was that you control your crowd, not the other way around.
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I ignored your aura but it grabbed me by the hand, like the moon pulled the tide, and the tide pulled the sand.
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War is not civilized.
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I think all those artists are artists who are appreciated because you believe their words and you appreciate their honesty in their music. If you don't appreciate the honesty in the music, the beat can be fly as hell but you'll never give an emcee props.
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So I just had to step up how I was doing it and the moment that I stepped up and the moment I focused all my energy on that is when things started to happen. So there's a direct relationship between my inspiration and my output.
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My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.
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I feel like your city - with hip hop in particular, because we're always beating our chest and shouting where we're from - your city is just as influential as your parents. Even the grimy, hardcore gangster rap from New York - KRS-One and Wu Tang, the stuff acknowledges it.
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Creating crime rates to fill the new prisons they build Over money and religion theres more blood that spills Like the wounds of slaves in cotton fields that never heal Whats the deal?
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Homosexuality in hip-hop is an extension of homosexuality in the black community. The black community is very, very conservative when it comes to homosexuality, and I don't mean conservative in the good way, like we're saving money. I mean very intolerant.
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Persistance, dedication Consistent, motivation, resistance to stagnation of information, distribute it free to the entire population No hesitation, makin it public No privitazation from corporations
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I don't think that early hip hop stood out to be a social critique. A lot of fans of mine think that hip hop's ultimate responsibility is to critique social structures.
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The responsibility of an artist is to be honest with themselves.
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I don't go into any album with pressing issues. I just try to write songs.
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I think hip hop is a dance music that's rebellious by nature.
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I not only wanted to showcase lyrical skills but also continue to drop knowledge on the hiphop community. I'm looking to elevate through my music, and through my music I educate.
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Hi-Tek is on three or four songs on the new record.
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The only way for me to be an artist is to be honest in my craft. If I veer from that, I'm not giving the investors what they want. Sometimes it's my job as an artist to know what I want to do, even when the fans tell me different.