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When I look at the arc of my career, my focus is on lyricism, right? I own that.
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So I think hip-hop is moving and is going to continue to move in the direction of rappers just being honest with themselves, whether you're talking about Common and Mos Def or Nas and 50 cent.
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War is not civilized.
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I think all those artists are artists who are appreciated because you believe their words and you appreciate their honesty in their music. If you don't appreciate the honesty in the music, the beat can be fly as hell but you'll never give an emcee props.
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As far as being on a major label, some labels get it and get what they have to do, and some labels don't. I don't think the label I'm on necessarily gets it, but I think over time they're gonna have to.
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Even an independent label is looking for a hit, they're not looking for a record that's not gonna do well.
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The way I see it, if people truly love my music, they will support me in some way down the road.
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You have to learn how to harness technology so you can use it for positive stuff without being disconnected from nature.
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Consider me the entity within the industry without a history of spitting the epitome of stupidity.
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But it becomes disrespectful when the artist's process is not respected.
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Persistance, dedication Consistent, motivation, resistance to stagnation of information, distribute it free to the entire population No hesitation, makin it public No privitazation from corporations
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I don't think that early hip hop stood out to be a social critique. A lot of fans of mine think that hip hop's ultimate responsibility is to critique social structures.
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Creating crime rates to fill the new prisons they build Over money and religion theres more blood that spills Like the wounds of slaves in cotton fields that never heal Whats the deal?
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So I just had to step up how I was doing it and the moment that I stepped up and the moment I focused all my energy on that is when things started to happen. So there's a direct relationship between my inspiration and my output.
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I don't go into any album with pressing issues. I just try to write songs.
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The only way for me to be an artist is to be honest in my craft. If I veer from that, I'm not giving the investors what they want. Sometimes it's my job as an artist to know what I want to do, even when the fans tell me different.
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Hi-Tek is on three or four songs on the new record.
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Homosexuality in hip-hop is an extension of homosexuality in the black community. The black community is very, very conservative when it comes to homosexuality, and I don't mean conservative in the good way, like we're saving money. I mean very intolerant.
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The responsibility of an artist is to be honest with themselves.
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And you know, art as commerce, doesn't really make too much sense, they don't go together.
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I not only wanted to showcase lyrical skills but also continue to drop knowledge on the hiphop community. I'm looking to elevate through my music, and through my music I educate.
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I feel like your city - with hip hop in particular, because we're always beating our chest and shouting where we're from - your city is just as influential as your parents. Even the grimy, hardcore gangster rap from New York - KRS-One and Wu Tang, the stuff acknowledges it.
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My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.
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I ignored your aura but it grabbed me by the hand, like the moon pulled the tide, and the tide pulled the sand.