David Levien Quotes
Quotes to Explore
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Let's judge a man on what he's done.
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Learning in a face-to-face human community, as humans have evolved to do over hundreds of thousands of years, may always be the ideal - especially in an endeavor that is as relationship-driven as business.
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I'm neither a millennial nor a hipster.
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I don't normally take to Yorkshiremen.
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Madonna is completely down-to-earth. She's an absolute professional.
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I love playing characters who are multilayered and multidimensional and have a darkness to them, which makes them more realistic and more fun to play.
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When I am talking to people who I feel don't like me or are mean, I get really shy, and I kind of curl up personality wise.
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I don't have any irrational fears. Obviously, if I was walking through the outback, and I saw a snake, I wouldn't go up and stroke it, but I wouldn't run screaming from it, either.
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'Don't Look Now' is a masterpiece. I think it's the best-edited movie of all time. I adore it.
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They had certainly exasperated them, and could not disperse them, as after every charge - and some of these drove the people right against the shutters in the shops in the Strand - they returned again.
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As for my style, for my vision of the cinema, editing is not simply one aspect; it's the aspect.
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My mum bought discounted tickets for shows like 'Cats' and 'Les Miserables'; I became completely enamoured.
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I had a small part in 'Pineapple Express.'
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We used to play marbles for keeps. If you lost, you lost. It is the same way with politics, but not everybody knows this.
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Whenever I start something, I will always do everything I can to be the best at it.
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I was 15 on the show, and I cried a lot. I was homesick, and was so worried, that I didn't think of being on 'American Idol.' I was so worried that I was going home every week that I didn't enjoy it as much as I should have.
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I think he is an entertainer. I would prefer if he were a performer.
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Fix me up with a mannequin, just remember I like blondes. I'll be the life of the party, even when I'm dead and gone.
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I think I give far more space and play to avant-garde writing than any other contemporary textbook author. I want students to be able to decide for themselves which aesthetics are closest to their own. Still, while I try not to be a nostalgist myself, I suppose I am drawn to those poignant moments in our lives, rendered clearly and artfully.
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I'm not interested in a persona.
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Music is one way of expressing yourself, and fashion is another.
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At the end, one didn't remember life as a whole but as just a string of moments.
