George Perle Quotes
Every bit of theorizing I’ve ever done, including my interest in Berg, has come as a consequence of discoveries I made as a composer and interests that I developed as a composer. I never thought of my theory as being a kind of irrelevant activity to my composing.
Quotes to Explore
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I don't think you should always stay calm in a tense situation, because you might not ever confront the problem. Maybe it's better to actually let yourself be tense - and find a solution.
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Like everything which is not the involuntary result of fleeting emotion but the creation of time and will, any marriage, happy or unhappy, is infinitely more interesting than any romance, however passionate.
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I don't function well in chaos, whether it be my sheets or the dishwasher.
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Things are so beautiful and wonderful, you feel there must be another life where you will see more - hear more - and know more. All of it cannot die.
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I don't mean to be arrogant, but if we're executing our skills there's not a side that can get close to us.
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Racism cannot be separated from capitalism.
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Elvis was the only man from Northeast Mississippi who could shake his hips and still be loved by rednecks, cops, and hippies.
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I looked like a boy for a long time. Now I feel like a woman.
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I wish I had spent more time at the office.
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Christmas and Easter can be subjects for poetry, but Good Friday, like Auschwitz, cannot. The reality is so horrible it is not surprising that people should have found it a stumbling block to faith.
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The cares of today are seldom those of tomorrow, and when we lie down at night we may safely say to most of our troubles, "Ye have done your worst, and we shall see you no more."
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The slanders poured down like Niagara. If you take into consideration the setting - the war and the revolution - and the character of the accused - revolutionary leaders of millions who were conducting their party to the sovereign power - you can say without exaggeration that July 1917 was the month of the most gigantic slander in world history.
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The center of life is female - we all come from our mothers. I've always drawn women or female spirits. I feel deeply about this - who gives a damn about some guy on a cross? My mother's creativity was smothered after she married and raised a family, but she was supportive of me - even my father expected me to carry on in her footsteps. I prefer to have no kids but lots of animals.
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Occasionally if I look back at something I've written I'll find one of those that I don't understand, but that's a bad thing - the unconscious has dealt me a bad hand.
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As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling.
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My expectations were reduced to zero when I was 21. Everything since then has been a bonus.
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The best thing about the world today is that everyone is connected and you can go online and quickly find people all over the world doing incredible things.
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Every bit of theorizing I’ve ever done, including my interest in Berg, has come as a consequence of discoveries I made as a composer and interests that I developed as a composer. I never thought of my theory as being a kind of irrelevant activity to my composing.
