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You must feel an affinity for what you are photographing. You must be part of it, and yet remain sufficiently detached to see it objectively. Like watching from the audience a play you already know by heart.
George Rodger -
I had no contact with my contemporaries in the photographic field, nor even knowledge of their work. So I was influenced by no-one and there were no short cuts for me. I was self-taught the hard way, by trial and error.
George Rodger
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It wasn't even a matter of what I was photographing, as what had happened to me in the process. When I discovered that I could look at the horror of Belsen - 4000 dead and starving lying around - and think only of a nice photographic composition, I knew something had happened to me and I had to stop. I felt I was like the people running the camp - Nit didn't mean a thing.
George Rodger -
I may juggle the composition, as the strength of a picture is in the composition. Or I may play with the light. But I never interfere with the subject. The subject has to fall into place on its own and, if I don't like it, I don't have to print it.
George Rodger