Zara Phillips Quotes
The horses are all characters, all personalities. Some you get along with, some you don't, some might take a bit longer.
Quotes to Explore
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The lights go down, you hear the applause and you're up there, and then everything else is forgotten.
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When you're not under a 'series regular' contract, and other jobs come up, you try to juggle everything.
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Getting old is a fascination thing. The older you get, the older you want to get.
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Faith - you can do very little with it, but you can do nothing without it.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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When you're making movies you've got to get obsessive.
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Whatever your image is, it's probably not you, but it affords you the freedom to live up to it.
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When you run into something interesting, drop everything else and study it.
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Women have to be active listeners and interrupters - but when you interrupt, you have to know what you are talking about.
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NoScript is probably the most important privacy tool, but it costs you in convenience.
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The thing a drama school can't give you is instinct. It can sharpen instinct but that can't be taught, and you have to have intuition. It's an essential ingredient.
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When you write as a woman, there's this feeling there's going to be a softness.
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If you feel like snacking, stock up on almonds, walnuts and cranberries.
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I think you only really feel like an outsider if you've been an insider.
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I'm sensitive, you know, about some things, and as some of my partners could attest to, incredibly insensitive.
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You cannot shake hands with a clenched fist.
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At the center of your being you have the answer; you know who you are and you know what you want.
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Well, you can't argue with somebody that won't argue back.
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Once you do one bad guy, usually all you get offered is bad guys.
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You're dead if you aim only for kids. Adults are only kids grown up, anyway.
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It is your passion that empowers you to be able to do that thing you were created to do.
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There's no great mystery to acting. It's a very simple thing to do but you have to work hard at it. It's about asking questions and using your imagination.
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Before people complain of the obscurity of modern poetry, they should first examine their consciences and ask themselves with how many people and on how many occasions they have genuinely and profoundly shared some experience with another.
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The horses are all characters, all personalities. Some you get along with, some you don't, some might take a bit longer.
