B. B. King Quotes
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I tell my children now that they are older, 'If something happens to me... don't make no big fuss over me. Don't make no big expense on my funeral. Don't put any pressure on the rest of the family. I've loved everybody, and I hope they loved me. But don't create this big expense for the family.'
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When you don't have much money, you worry that they'll just put you in the ground someplace and your loved ones won't know where you are.
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We all have idols. Play like anyone you care about but try to be yourself while you're doing so.
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Everybody wants to go to Heaven, but no one wants to die to get there!
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Whenever I'm in Kansas City, I think back to all the jazz-blues greats who played the blues here - like Count Basie, Charlie Parker and Jay McShann. I watched those guys jam in different places and heard a lot of things - but I couldn't do what they did. They were too good.
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I used to play - when I first started trying to be professional, I disk jockey from 1949 to 1955 in Memphis, Tennessee, and I was quite popular there as a disk jockey.
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As for my band, well, my mentors were Duke Ellington, Benny Goodman, Jimmie Lunceford, and no one had a band more smartly dressed than Duke.
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I look at an audience kind of like meeting my in-laws for the first time. You want to be yourself, but you still want to be somebody that they like. When I go on the stage each night, I try my best to outguess my audience.
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I liked blues from the time my mother used to take me to church. I started to listen to gospel music, so I liked that. But I had an aunt at that time, my mother's aunt who bought records by people like Lonnie Johnson, Robert Johnson, Blind Lemon Jefferson, and a few others.
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If you can't get your songs to people one way, you have to find another.
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A lot of people believe what other people say.
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The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
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I didn't want to disrespect my parents, so I never played blues around the house. But I knew then, same as I know today, that I wasn't doing anything wrong. I think that before they died, they both felt very proud of me.
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People all over the world have problems. And as long as people have problems, the blues can never die.
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I don't like anybody to be angry with me. I'd rather have friends.
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Jazz is the big brother of the blues. If a guy's playing blues like we play, he's in high school. When he starts playing jazz it's like going on to college, to a school of higher learning.
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When I do eventually drop, I pray to God that it'll happen in one of three ways. Firstly, on stage or leaving the stage, then secondly in my sleep. And the third way? You'll have to figure that out for yourself!
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If you want to be a good blues singer, people are going to be down on you, so dress like you're going to the bank to borrow money.
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Sometimes the proprietors of the little juke joints gave me a couple dollars. I loved that. I'd go back next Saturday.
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I was glad to see other blues guitarists like Albert King have crossover successes like me. We played in the same places like the Whisky and the Filmore. When Albert made his guitar cry, he could cut you so deep!
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There's a sadness to all kinds of music if you want to hear it. There's also happiness to it if you want to hear it.
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I've always liked ladies all my life. I guess it started with my mom. So every time I saw a pretty lady, I thought, she's pretty.
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Blues purists never cared for me. I don't worry about it. I think if it this way: When I made 'Three O' Clock Blues,' they were not there. The people out there made the tune. And blues purists just wrote about it. The people is who I'm trying to satisfy.
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I remember Elvis as a young man hanging around the Sun Studios. Even then, I knew this kid had a tremendous talent. He was a dynamic young boy. His phraseology, his way of looking at a song, was as unique as Sinatra's. I was a tremendous fan, and had Elvis lived, there would have been no end to his inventiveness.