Zuleikha Robinson Quotes
I definitely like to play characters that don't fit any kind of mold; that are slightly offbeat, because it's more fun to play.

Quotes to Explore
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I feel that there has been progress made since I was a boy on matters of race, but we have a long way to go.
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Picking up a guitar brought a lot of balance into my life.
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I'm just a black hole for stuff. No one should ever hand me anything, because I get so easily distracted. I'll be like, 'Oh, look, something shiny!' I'm glad I never learned how to drive. I would be really dangerous.
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NATO remains the cornerstone of Atlantic security.
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I made all my generals out of mud.
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I wish it were not a sin to have liked it so.
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There is not a more repulsive spectacle than on old man who will not forsake the world, which has already forsaken him.
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I think at first the Flume project really started out as an online thing. I used Facebook and SoundCloud, and I think we got lucky because it felt like a bit of a golden age of those social media platforms. So I managed to create quite a solid fan base online.
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Somebody said they threw their copy of Dungeons and Dragons into the fire, and it screamed. It's a game! The magic spells in it are as real as the gold. Try retiring on that stuff.
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I want to go to Sierra Leone with something - whether it's some sort of contribution to healthcare, or to the entertainment industry. My cousin is a nurse; we are talking about opening a clinic.
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As we began working toward the finale of 'Lost,' I knew there was no possible ending that was going to be universally loved, and I accepted that. We ended the story the way we wanted it to end, and we stand by it. On my Twitter feed, I still get ten to fifteen positive comments for every negative one.
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Kristen Stewart always looks good - she wears what she wants. It's the same with Alison Mosshart - she chooses clothes that she loves rather than what she thinks she should wear.
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How are we to live with the desert, in the desert, within the desert?
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I myself consider myself the most powerful figure in the world.
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Folks like me have to feel a little indebted to the communities that they came from. And if they do, I think we'll start to see a little bit more of a geographic integration in the country because people will start to think, 'You know what? I owe that place something, and I should return to it in one form or another.'
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My original project was called 'The Wheel'; there's a record out there called 'Desire & The Dissolving Man,' 'The Memory Of Loss' as well. There's also 'Falling Faster Than You Can Run,' also 'Closer'; all of that's on our website.
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There's always room to volunteer. I think that's a huge space to be involved with.
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But I love the idea - whether it's in my work or where I live - exploring new frontier, and I like putting myself in strange places and trying to survive and figure things out and gather up an infrastructure. I like knowing that I could figure out a way to live anywhere.
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In a very alert and bright state of society people learn co-operation by themselves, but in older and quieter conditions of laboring enterprise, such a bill as I propose will point out the way to mutual exertion.
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There are so many Muslim women that feel like they don't fit society's standard of beauty. I just wanted to tell them it's OK to be different; being different is beautiful, too.
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I found L.A. much less responsive to the name Juilliard than New York was. In New York, that name actually means something. People will look up from their desks when you walk in. In L.A. it's, 'Oh yeah, that's a music school. What do you play?'
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Your Majesty, I took the liberty because I was so desirous of visiting alone with you for a few minutes before the rest of the other peasants arrived.
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You look at Sinatra, Tony Bennett, Bob Seger. All they ever wanted to do was go out there and entertain, and I'm the same way.
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I definitely like to play characters that don't fit any kind of mold; that are slightly offbeat, because it's more fun to play.