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I'm not someone to sit on her laurels.
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'Take Her Up to Monto' is a very satirical song. I don't really like people calling it a folk song because it kind of isn't. It's a bit cheeky calling it 'Take Her Up to Monto,' but the whole idea was to be very irreverent.
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I have a little antennae, and even when I'm trying not to be, I'm connected with the bloody zeitgeist.
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On 'Hairless Toys,' I've tried to create an ambiguous character to go with an ambiguous record. She's anything but rock n' roll - she's so not rock n' roll that, in a twisted way, she's kind of radical. She's like someone from my memory, almost like my mother, and she's lost in some space-time between the 1960s and the late '80s.
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I thought I would be a visual artist when I was growing up, so I'm always up for a bit of experimentation.
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I've seen massive changes in Ireland in my lifetime.
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On 'Overpowered,' there was a nostalgia for disco and early house music. But I'm a modernist and futurist as well. I do believe - and this is going to sound really pretentious, I know - that humanity will figure it out, so I'm optimistic about the future.
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Once I was embraced by gay culture, I finally started to feel I was fitting in. I was understood by those people in a way I had never predicted or courted.
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Lyricism was placed into my head in Ireland.
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I am very attracted to funny people - I'd go so far as to say I find it hard to trust unfunny people.
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I was surrounded by music in my family, surrounded by people who sang songs - every single person I knew as a child growing up had one, two, three songs they knew from start to finish.
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You've got to deal with the tools you have in hand. I'm a firm believer in that.
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When you're a kid, right, and you're surrounded by all these other kids, and let's say they don't have the same interests or the same goals or the same world view as you... It's difficult because a child doesn't know that there's another way. A child doesn't know that there's another place outside of the systems and hierarchies in school.
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I always try to lace my work with just a teensy-weensy bit of humour. It's rather like putting a sprig of feathery stuff in a flower arrangement: I believe humour is a great balancer.