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Power doesn't just exist. It is threaded through different mechanisms of control. I'm interested in those complexities. But I want to address that in very forthright language and sometimes with images.
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One thing I learned working at magazines was that if you couldn't get people to look at a page or a cover, then you were fired. It was all about how you create arresting works, and by arresting I mean stop people, even for a nano-second.
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I just say I'm an artist who works with pictures and words.
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I mean, making art is about objectifying your experience of the world, transforming the flow of moments into something visual, or textual, or musical, whatever. Art creates a kind of commentary.
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Women's art, political art - those categorisations perpetuate a certain kind of marginality which I'm resistant to. But I absolutely define myself as a feminist.
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I have no complaints, except for the world.
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Architecture is my first love, if you want to talk about what moves me - the ordering of space, the visual pleasure, architecture's power to construct our days and nights.
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Direct address has been a consistent tactic in my work, regardless of the medium that I'm working in.