Zack Snyder Quotes
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My mom always encouraged me, it was never weird. She'd look at 'Heavy Metal' and go 'Woo-hoo!'
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I heard one time that the Superman glyph is the second or third most recognizable symbol on Earth after the Christian cross.
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When I make a live-action movie, it's a very physical process. It's like running a marathon.
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Twenty years ago my parents wouldn't know who the X-Men were, and now everybody knows that stuff. It means that deconstruction of the superhero is something you can do. All those movies have led to a point where we can finally have 'Watchmen' with a Superman character who doesn't want to save the world and a Batman who has trouble in bed.
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I guess for me - in the TV commercial world I was known for shooting locations, beautiful landscapes and things like that - so, it's interesting.
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I mean, like, I can go in a room and say, look, 'Watchmen' should be at least 15 minutes longer than 'Batman.' I mean, that's, like, any geek will tell you that.
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People always come up to me now and say, 'Watchmen' is the best superhero movie ever made.' I'm always saying 'That's super cool. That's nice of you to say.' But it happens now, more and more and more than it did when it first came out.
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There's very few dork movies made by dorks.
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The thing about 'Dark Knight' is its objective is to set Batman into your world, so that you can imagine the moral dilemmas he faces are exactly parallel to moral dilemmas that you would face in this world, today, if you were out there fighting crime dressed like a bat.
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We tried to approach this as though there's never been a Superman movie before, but at the same time respecting the canon and mythology. There are the pillars that you have to respect, and I'm not about to break them. But it is fun for me to bend them and mess with them.
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I mean, it's weird because people lately have been coming up to me and going, 'Oh, my God. '300' is huge.' I'm like, 'Really? It's not done yet!'
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
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You know it has all the kind of fun stuff. It has the countermeasures - we always talk about the countermeasures because people are like, "What the heck is countermeasures?" You know if I shot a missile at it, flares would pop out of those holes and stop the missile from hitting it.
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Our plans for 'Superman?' I can't say. This is the most super secret thing ever. It's like working for the government, like I'm on a covert mission.
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I believe that pop culture is just, like, so ready for 'Watchmen.' We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don't miss the commentary about them.
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The thing about owls is that they do sort of have this facial disc, which is unlike any other bird. They kind of have a face, more than like a dog or a giraffe. They have this weird, alien face that you can actually make expressive.
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He's this amazing ambassador for all superheroes. What we've made as a film not only examines that but is also an amazing adventure story. It's been an honor to work on. As a comic book fan, Superman is like the Rosetta Stone of all superheroes.
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To go back, the mistake that Universal Studios made with 'Dawn of the Dead' was that they didn't have enough money or cared enough to make a soundtrack.
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I think I just have a natural operatic aesthetic. I can't help it.
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Also I've got to say in the movie ["300"] Gorgo, who is the Queen, she has also a part that is - I think - I don't want to say, 'Oh look, it's multi-quadrant,' and all this. I believe that it is because I think my dad can see this movie and go, 'F**k yeah!
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One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.
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Of course it would depend on the project, but I don't think I could ever separate myself from my aesthetic.
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We've tried to make a Superman movie where he does stuff and you go, 'Yeah, if I was Superman, that's what I'd do.' Even though he's an alien, he's more relatable, more human.