P. J. Soles Quotes
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'Carrie' was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer.
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Japan has really great fans for all kinds of music. I think they're keeping metal alive.
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I went to Briar Cliff College initially, and then I transferred to Georgetown University, because I was a Russian major, and I was one of two girls accepted that year. This was September 1969 - well, that would have been 1970 - into the School Of Languages And Linguistics in Georgetown.
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I was supposed to do The Joy Of Sex with John Belushi, but the week before we were gonna start filming, he died. So that was really tragic. That put the whole project on the shelf.
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When John Travolta had the opportunity to do The Boy In The Plastic Bubble, he brought me and a couple other people from the movie to just be the students and have some parts, because he wanted to help us out. I thought that was really sweet.
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Horror movies are all about getting your attention; you always have to be on guard. People love to be on the edge - there's nothing like a surprise.
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I've always written poetry and lyrics. My first husband, who was a musician, we wrote a bunch of songs together.
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I guess I was a nice girl with a nice figure, because I just had to wear a bathing suit and dive in the pool. I was kind of candy, eye candy.
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I am so happy that every generation still tunes into most of the classic and cult films I was lucky to be a part of.
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I never really liked the lyrics or the sameness of the music. It always seemed to have the same rhythm or whatever. But when it turned a little more rock, I kind of liked it. I like what Kid Rock did to country. I like all the modern, new stuff that's coming out, and it just so happens that my boyfriend is not a country player, but he was a rock musician.
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I think Japans work really hard, and when they have a chance to listen to music, they just go crazy. And the Ramones would be a natural fit for Japan, because Japan invented the cartoon, and the Ramones, especially in Rock 'N' Roll High School, are very cartoonish. So it'd be a perfect group for them.
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The Ramones couldn't play in my key. They couldn't switch keys, so Ed Stasium literally had to play all the instruments for my version of "Rock 'N' Roll High School," and I always thought that was so weird, because it's not the Ramones playing. It's the producer, who happened to just be a musician and could play everything.
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Four times a year, Warner Bros. Records send out their little statements, and they're like eight pages with all the countries from all over the world, and I end up getting a check for $48. But I think, obviously, the Ramones make some good money, because they must get a writer's share from the Rock 'N' Roll High School.
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John Carpenter was very gentle. He was very tender. He really liked talking to actors. He really wanted you to be comfortable. He waited until you were ready to do the scene, and he has a lot of confidence.
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Joe Roth, who ended up becoming president of 20th Century Fox, he was the producer of Our Winning Season. This was one of his first movies. It's just a really great, great little film, a lot of good people in it. I don't know whatever happened to that movie, and why it didn't get the success it deserves.
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I think Harold Ramis is a genius beyond genius, and he's the nicest guy, funniest guy, sweetest guy ever. So I don't know if it applies to everybody, but maybe it has to do with your childhood.
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I wasn't especially a Broadway type. I liked film acting better. I didn't want to stay up late. I wasn't a smoker, a drinker, or a drug-taker. So that kind of Broadway life - not that that's what they do. But they do stay up late and hang out at Joe Allen's until 2 in the morning, and that just wasn't for me.
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I had been listening to Jackson Browne, The Eagles, and Linda Ronstadt. Ramones was not my kind of music. Now, I'm a huge fan and I get it. I wasn't initially a punk-rock fan. Now, I can appreciate what they stood for and who they were.