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I have a horror of people who speak about the beautiful. What is the beautiful? One must speak of problems in painting!
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Others have seen what is and asked why. I have seen what could be and asked why not.
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It is my misfortune - and probably my delight - to use things as my passions tell me. What a miserable fate for a painter who adores blondes to have to stop himself putting them into a picture because they don't go with the basket of fruit!
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We must not discriminate between things. Where things are concerned there are no class distinctions. We must pick out what is good for us where we can find it.
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The world today doesn't make sense, so why should I paint pictures that do?
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He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
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It takes a long time to become young.
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God is really only another artist. He invented the giraffe, the elephant and the cat. He has no real style, He just goes on trying other things.
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Everyone wants to understand art. Why not try to understand the song of a bird? Why does one love the night, flowers, everything around one, without trying to understand them? But in the case of a painting people have to understand. If only they would realize above all that an artist works of necessity, that he himself is only a trifling bit of the world, and that no more importance should be attached to him than to plenty of other things which please us in the world, though we can't explain them. People who try to explain pictures are usually barking up the wrong tree.
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Sculpture is the art of the intelligence.
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It isn't up to the painter to define the symbols. Otherwise it would be better if he wrote them out in so many words! The public who look at the picture must interpret the symbols as they understand them.
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Give me a museum and I'll fill it.
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Neither is there figurative and non-figurative art. All things appear to us in the shape of forms. Even in metaphysics ideas are expressed by forms. Well then, think how absurd it would be to think of painting without the imagery of forms. A figure, an object, a circle, are forms; they affect us more or less intensely.
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Everything you can imagine is real.
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Everyone wants to understand art. Why not try to understand the song of a bird? ...people who try to explain pictures are usually barking up the wrong tree.
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I've reached the moment where the movement of my thought interests me more than the thought itself.
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When there's dust missing here or there, it's because someone has touched my things. I see immediately someone has been there. And it's because I live constantly with dust, in dust, that I prefer to wear gray suits, the only color on which it leaves no trace.
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Every act of creation is first an act of destruction.
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I do not seek. I find.
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Every positive value has its price in negative terms... the genius of Einstein leads to Hiroshima.
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It seems strange to me that someone thought of making marble statues.
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The best calculation is the absence of calculation. Once you have attained a certain level of recognition, others generally figure that when you do something, it's for an intelligent reason. So it's really foolish to plot out your movements too carefully in advance. You're better off acting capriciously.
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All human beings are born with the same creative potential. Most people squander theirs away on a million superfluous things. I expend mine on one thing and one thing only: my art.
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I always forbade everyone to clean my studios, dust them, not only for fear they would disturb my things, but especially because I always counted on the protection of dust. It's my ally. I always let it settle where it likes. It's like a layer of protection.