Taraji P. Henson Quotes
Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
Quotes to Explore
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Remember who you are and where you come from; otherwise, you don't know where you are going.
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When you're not under a 'series regular' contract, and other jobs come up, you try to juggle everything.
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I like to prove people wrong.
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When life knocks you down, keep getting up.
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When you are dining with a demon, you got to have a long spoon.
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You wouldn't have won if we'd beaten you.
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Look before you leap for as you sow, ye are like to reap.
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If you aren't in over your head, how do you know how tall you are?
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I would like to write a movie and, if it wasn't too crazy, also direct.
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If you represent everyone, in some ways you represent no one. You're un-owned.
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You can't get emotional about your work.
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How you leave the reader is so important - not the climax; I call it the 'exit feeling'.
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I like music a lot.
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Every time you make a guess of what a judge is going to do... you're wrong, so I try to stay away from that.
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The imminent demise of the church has been predicted since the middle of the 18th century. This is the regular secular mantra if churchgoing declines. I could take you to plenty of churches that are full to bursting and new churches being built.
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That's the great thing about entering a convent: There are things that you simply can't do, so you don't have to worry about them.
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I had an indie pop phase, I had just about every phase you could think of.
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No one teaches you how to be a famous person; no one teaches you how to be a role model. It's something you have to do on your own.
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The rappers have gone in and created a lot of hit music based upon my influence. And they'll tell you if you ask.
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I began in an era where four-letter words were not allowed.
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You know, I haven't written as much as most other writers. Certainly maybe those who keep a more regular schedule accomplish more.
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Once, America's size in the imagination was limitless. After Europeans settled and changed it, working from the coasts inland, its size in the imagination shrank.
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I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.
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Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
