T. S. Eliot Quotes
No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead. I mean this as a principle of æsthetic, not merely historical, criticism.

Quotes to Explore
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Look at how hard it was to get to where I am. It doesn't make sense to give it up.
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My parents divorced when I was seven. Because divorce is messy, for good or ill, they sent me to boarding school.
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When I first got back from the war, I said, 'I'm gonna write the Great American Novel about the Vietnam War.' So I sat down and wrote 1,700 pages of sheer psychotherapy drivel. It was first person, and there would be pages about wet socks and cold feet.
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I think that I am seeing the Internet and seeing technology take and seeing how the work I do through music directly affects people's lives better than any politician I've ever met.
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I don't think it's good for people to know too much about you. With my favourite bands, I don't want to have the inside track on every single aspect of their personal lives.
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I find the whole situation of confronting an audience terrifying.
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I had been playing for about a year and a half when the Beach Boys formed. When our folks went to Mexico on business, we would take the food money they had left us and we would rent instruments.
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I don't really have a main source for my style inspiration. It's really about however I feel about myself at the moment.
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I did as much research as I could and I took ownership of this illness, because if you don't take care of your body, where are you going to live?
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Becoming a leader is synonymous with becoming yourself. It is precisely that simple, and it is also that difficult.
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War triggers unforeseeable military dynamics and sets off massive political shocks, creating new problems as well as new opportunities.
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I'm not into solos, I'm into lyrics.
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Education is at the heart of achieving your dreams.
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If you're feeling blue, lock yourself in a room, stand in front of a mirror, and dance - and laugh at yourself and be sexy. Dance the silliest and ugliest you've ever danced. Make fun of yourself and try to recover your sense of humor.
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Using a forecasting company is like going to a fortune-teller. If you believe the company and the color does not sell, who do you blame? The forecasters? No, you blame yourself.
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I could never sit down and say: I'm going to do an out-and-out comedy, just to prove to people I can. You've just got to do what you do. Just listen to your soul and do your art and do it for the right reasons, and then you can't fail.
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If you like standup and decide that it's overtaking your life and want to hate it, watch 1,000 standup comedians who are trying to get on a TV show.
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Kabir Khan is a director who goes out of his way to make his actors comfortable. He's very chilled out. He makes the environment on set very casual and friendly.
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When I started writing about vampires, I swore that I wouldn't touch the 'Dracula' legend because it's been done too many times.
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I'm a good audience in general, but it's hard to make me laugh.
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In fact, an awful lot of N.F.L. club owners have practically no influence on their players at all, simply because they're not full-time working owners.
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I have always wanted to make a film about my parents' generation, which tried every way to escape from the deadly shadow of war and finally settled down in Hong Kong in the '50s to build a home from nothing. Arguably, they are the first generation of Hong Kong people to turn this remote island into a modern city.
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I'd begun to realize that there was an unspoken predjudice among book-learned people, a secret conviction they all seemed to share, that life as we know it is an imperfect vision of reality, and that only art, like a pair of reading glasses can correct it.
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No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead. I mean this as a principle of æsthetic, not merely historical, criticism.