Barbara Coloroso Quotes
Quotes to Explore
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I feel like I've grown up a bit. I'm a bit more confident, and I've been reading more, and I've had a little more time to myself. I went on this writing trip to gather my thoughts about where and who I am in this world, and why we're all here.
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To become self-aware, people must be allowed to hear a plurality of opinions and then make up their own minds. They must be allowed to say, write and publish whatever they want. Freedom of expression is the most basic, but fundamental, right. Without it, human beings are reduced to automatons.
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Having a million-dollar net worth doesn't make you a genius, and having less than a million-dollar net worth doesn't make you a fool.
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I will do today what others won't so I can do tomorrow what others can't.
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Many of us came away from our youth thinking that the story of the Revolution was that the Americans were patriots fighting the oppressive British. It was kind of good versus evil, liberty versus tyranny. When you get into it, you find that it was much more complicated.
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Growing up in the public eye was really tough. When you're 14 and your body is changing, your life is changing, and people are watching every step you make, it's really hard to deal with. But I was pretty lucky, people didn't watch me that closely.
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In my industry, it's important to have people I look to for different things: guidance, inspiration and motivation.
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It was my mother's idea. Her feeling was that I didn't have the intelligence to pick a trade myself.
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I throw better than anybody in college and I can throw with anybody in the pros. There, that's what I think.
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A man must know how to fly in the face of opinion; a woman to submit to it.
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When I think back now to the recording sessions, there is more improvisation than one hears. It's an ideal combination of arrangements and improvisation. Only a few people are able to listen and say what is composed and what is improvised. It's a unit.
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Elvis and I were very good friends. We were such good friends that, on the day that he passed, I was the first one his father called, to let me know what had happened.
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I find it hard to focus looking forward. So I look backward.
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We may define therapy as a search for value.
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I think I'm a good judge of character.
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I'm a lover of all sorts of music, which makes me a chameleon when it comes to performing anything, whether it's opera or whatever. As long as it's good and it feels good, I'm going to cling to it.
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When you know that people know who you are, you are always working - and not the work you want to do. You are sort of performing, because you know they are looking - or at least glancing - at you.
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Those who get stuck doing the same things for too long are bound to get left behind the strong who press on and re-invent themselves.
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When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
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Hopefully, I can play both sides of the fence. That's probably what winning the Oscar gives me, the chance to do something with a studio and do other things that I really want to do.
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I always tell people if you want to do something, go to a great comedy show. And that's what I try to do: give people a really good comedy show.
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Everyone I knew was a Red Sox fan. Living up there in 1967 - the Impossible Dream season - that moment was incredibly compelling. I just naturally gravitated to the team. Nineteen seventy-five was arguably the greatest World Series of all time.
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The Braintrust developed organically out of the rare working relationship among the five men who led and edited the production of 'Toy Story' - John Lasseter, Andrew Stanton, Pete Docter, Lee Unkrich, and Joe Ranft.
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There is no problem so great it cannot be solved.