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I just worked my own personal thoughts into my music, and just kept at it until I found a way in.
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I came up not understanding that a lot of people didn't start to hear music until they went to college or were turned on by an older brother or sister.
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I enjoy music wherever it's coming from.
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My music is really fun music, with some pan-African and pan-American influences.
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It's just like heirloom tomatoes; this is heirloom music. We used to have all kinds of diversity in our poultry, in our vegetables, in our fruits, and slowly but surely the monoculture beast comes in. I'm saying that's not a good idea. And if it means that I gotta do it on my own, then I do it on my own.
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I was always looking for evidence of these common musical roots, but I was too young to know that what I was doing was called ethnomusicology.
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As a kid, I always felt connected to Africa; it was something I was very proud of.
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It's very interesting, the dynamics of popularity. When you do something all the time, you don't worry about whether it's trendy or not.
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I'm doing exactly what I should be doing, every day on the road.
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I've only been on MTV once as one of their 'Closet Classics,' with some bootleg footage of a 1970 tour I did in Holland. They didn't know what to make of my music, but they finally invented a name for it - world beat music.
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As a solo performer, it's total involvement. What I do is to break down the wall between audience and performer.
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When I was 5 or 6, I was messing around with the piano, and I listened to everything from Chopin to boogie-woogie.
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The one thing I've always demanded of the records I've made is that they be danceable.
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I pretty much move around wherever I like.
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The tomb sits on a large marble platform, called a plinth. At each corner of this platform is a minaret (a tall, narrow tower from which a Muslim calls the devout to prayer). It is this building which is called the Taj Mahal, although the name often refers to the whole complex.
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I'm always cracking up when I hear what people think I should be doing.
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I'm a composer, man.
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It is, like the Mona Lisa, one of those masterpieces with which you will be outstandingly familiar long before you ever get to see it...it does not disappoint. It does not disappoint the first time you see it, nor the third time, nor even the 30th time...
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My mother was American, and my father was from the Caribbean, and there was a big open door into the world of humanity and music.
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No matter what went down, music was always going to be a part of my life. What ultimately happened is that, over a period of time, I just kind of looked around and when like, 'Wow! I'm actually making a living doing this.'
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More and more people are finally realizing that in the heart of America, there's all this incredible music that wasn't widely heard before because it wasn't in the interest of those who feel they have to control the taste of the wider public.
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I've got tons more stuff to do.
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I would have never gotten to college if it hadn't been for getting up at 4 A.M. and milking them Holsteins.
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In looking out into the world, it didn't look all that nice out there. And who were the nice people? Certainly Mahatma Gandhi was.