Nathan Myhrvold Quotes
One of the things that I love to do is travel around the world and look at archaeological sites. Because archaeology gives us an opportunity to study past civilizations, and see where they succeeded and where they failed. Use science to, you know, work backwards and say, 'Well, really, what were they thinking?'

Quotes to Explore
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I've lost fights before where I'm landing more punches and I'm moving away from the guy. So, the way that they score things at the end doesn't seem very consistent to me.
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I have worked with some great directors.
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What brought the British to the Gambia in the first place - which was bigger than it is now - was trade in ivory because the Gambia had a lot of elephants. They wiped out all the elephants and ended up selling Africans.
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You can't talk of the dangers of snake poisoning and not mention snakes.
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Why did I elope with my husband after knowing him for only four months? I wish I could show people the picture of the two of us that night and have them feel what I felt. But it's just a picture. It can only capture how things looked, not how they felt.
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The Koran was revealed at a time of great change in the Arab world, the seventh-century shift from a matriarchal nomadic culture to an urban patriarchal system.
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I am also a drummer of sorts. I've got an electronic set sitting in my bedroom.
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Acting is doing. It's not speaking; it's behavior. It's something happening, even if you're only listening.
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I never sell a book. I sell myself. And the way to sell yourself is to be an instrument of love.
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Someone told me, 'When you go see Pearl Jam, it's going to be a spiritual experience,' and it was. It was my first time seeing them live, and I've been a lifelong fan. Eddie Vedder's voice is a million times better live, and I couldn't believe the passion he put into every single song.
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It would make everything I worked for meaningless if baseball is integrated but political parties were segregated.
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When I was a kid, I didn't know how I got into acting.
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Acting offers me an outlet. Here is the perfect opportunity to spend fleeting moments becoming an entirely different person; to experience a character entirely unlike myself, but to also make such a character a part of me. There is no routine here; there is no boredom.
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When I went to Juventus, I was young, but in training, I had legends like Fabio Cannavaro and Lilian Thuram marking me. I had to work hard to get my respect.
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Once there was a boy so meek and modest, he was awarded a Most Humble badge. The next day, it was taken away because he wore it. Here endeth the lesson.
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I do like a lot of things that a lot of adults would scoff at. 'SpongeBob SquarePants,' 'Looney Tunes.'
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My goal was never to win awards. Mine was let me get to a place where I don't have to work. I don't have to do anything I don't want to.
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
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The deeper the experience of an absence of meaning - in other words, of absurdity - the more energetically meaning is sought.
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When I was young, no one got married. Now, all the young people, they want to get married, they want security. Now that my children's friends are getting married, I go to more weddings than I ever did when I was young.
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The impact of any particular writer on your own work is hard to discern.
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As a very young writer - kindergarten through about fifth grade - I most often wrote about black characters. My very early stories were science fiction and fantasy, with kids stowing away on spaceships and a girl named Tilly who was trying to get into the 'Guinness Book of World Records.'
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Successful nations make a point of trying to learn from their neighbors. The Arab world has been taught over generations only to hate theirs.
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One of the things that I love to do is travel around the world and look at archaeological sites. Because archaeology gives us an opportunity to study past civilizations, and see where they succeeded and where they failed. Use science to, you know, work backwards and say, 'Well, really, what were they thinking?'