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The intersection of being female and a showrunner carries difficult challenges.
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I don't have to spend a lot of time figuring out, 'Gosh, I wonder how guys feel,' because most every piece of art I look at invites me into that experience.
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Our worst instincts as human beings have to do with our carelessness with natural resources, and when the body itself becomes just one more of those resources, how will we treat it? Will we treat it with such indifference and with such depersonalization that it becomes more like a very fancy car than a repository of the self?
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Iconic jobs are interesting to deconstruct through therapy.
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I personally believe that violence against women in our society is not going anywhere.
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It was very, very important to me to represent a broader swath of humanity that often isn't seen in futuristic sci-fi.
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Violence in drama is an external contextualization of internal conflicts.
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Of course I worry about whitewashing, and I feel very strongly that whitewashing was, is, and continues to be a problem in entertainment.
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'Altered Carbon' is one of the most seminal pieces of post-cyberpunk hard science fiction out there - a dark, complex noir story that challenges our ideas of what it means to be human when all information becomes encodable, including the human mind.
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The essential nature of all filmed entertainment is that you area always straddling the line of whether or not you can realize something that you want to do.
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The emotional passage of time is always a good thing.