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In the past, I've been a workaholic. I'm trying not to be anymore.
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The thematic core of 'X-Men' is tolerance. It's that for those of us who are different in any way - in a big way, whether it's you're a minority, you're a woman, you're a Muslim, you are suppressed or marginalized - it can go the whole spectrum - but even if you are shy or you feel like an outsider - and X-Men are outsiders.
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It was a fear we had when we started 'Legion,' that there were too many comic-book series out there, and how do you stand out. Our mandate always is to make something different in feel and tone. You try to avoid someone thinking, 'Gee, I've seen this before.'
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I would say that the first 'X-Men' was the hardest. It took us a long time to get it going.
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The first movie I produced was a movie that Joel Schumacher wrote and directed called 'Amateur Night at the Dixie Bar and Grill.'
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I'm a huge fan, and I didn't grow up with it, I didn't grow up reading 'X-Men' comics. I became a huge fan; I had somebody in my company who gave me the biographies of all the characters. I read Logan's first and was like, 'What a great, tragic character.' I just loved him.
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Almost everyone I know is battling something, whether it's allergies or depression. Whatever it is, it makes you feel less than who you are. I believe part of life's challenge is to work through that.
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The accomplishment that I am most proud of is that 'Free Willy' and 'Dave' got a political message out, which isn't easy to do within the constraints of studio moviemaking.
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The thing about Texas is that it's a little larger than life.
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My mandate to myself since I've been involved in these movies was 'make every single movie different, so there's never 'X-Men' fatigue.'
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I really liked 'Walk The Line,' and I really liked 'Girl Interrupted,' and I really liked '3:10 To Yuma.'
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I've been looking for an opportunity to break into the Chinese market due to its devoted and passionate audience and have found the perfect partner in Cristal Pictures.
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I've been very fortunate, but it also never occurred to me that I couldn't do something or that I couldn't ask if I could try something.
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I like having an idea, or hearing an idea, and getting it into a proper script.
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I stayed in the East for about a year after I graduated. Then, I came out to Los Angeles and started knocking on doors and working my way up. This was the '70s. I had been told how tough it was for a woman trying to make it in Hollywood, but I sort of had blinders on. I just did things anyway.
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Producing is figuring out how to make each character have a distinct voice, how to make the story twist and turn - that's the biggest challenge.
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The first two actors we cast were Patrick Stewart and Ian McKellen. Because we started so highbrow, we were able to get anyone. Plus, some of these people have children, and their kids love 'X-Men.' They'll do it because of them - that's our little extra ace in the hole.
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People would congratulate Dick for my movies. It bothered me for a long, long time.
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I've really tried to use the power of film to effect change.
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I was attracted to the comics because of the characters and, particularly, Wolverine because he is so complex. He is so damaged and tragic in many ways - he doesn't have his memory. His body was invaded. He has unrequited love for Jean Grey.
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I'm dying to do a 'Gambit' movie with Channing Tatum.
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When I was in my 20s, I was always sick. I was always feeling exhausted.
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I wanted to tell people you can live a full life, even if you're not feeling well.
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I love to say that what's great about 'Legion' is that if you haven't read a comic book and you haven't seen an 'X-Men' movie, you can come in and understand it - and this can be your comic.