Laurence Fishburne Quotes
After 'Othello,' it was, like, 'I can stop acting. I have played one of the great characters in the English language. I feel I have played him well and honorably. I have nothing to prove anymore.'
Quotes to Explore
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The fallacy of the neoclassicals is their tenet that total employment, though hit by shocks, can be said always to be heading back to some normal level.
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He had a lot of talent, but didn't have much dedication, wasn't organized, didn't know how to learn, didn't know how to comprehend what he was doing, didn't try to learn how to get better.
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Everything is designed to help you sell out.
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I think, when I was younger, I believed in - and yearned for - conventional beauty. I thought there was a spectrum from ugly to beautiful, and that you could objectively plot everyone you saw along it.
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I am not in politics to make more money.
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If we can reduce the cost and improve the quality of medical technology through advances in nanotechnology, we can more widely address the medical conditions that are prevalent and reduce the level of human suffering.
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Well into the 20th century, black people spoke of their flight from Mississippi in much the same manner as their runagate ancestors had.
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I don't look at myself as suffering.
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Faith is much better than belief. Belief is when someone else does the thinking.
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No flying machine will ever fly from New York to Paris.
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I envy those old Greek bathers, into whose hands were delivered Pericles, and Alcibiades, and the perfect models of Phidias. They had daily before their eyes the highest types of Beauty which the world has ever produced; for of all things that are beautiful, the human body is the crown.
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I think that the greatest lesson I learned from my father is just having compassion towards people.
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Filmmaking is a business and at the bottom line people who don't make fiscally responsible decisions end up going into another line of work.
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Maybe I'm just purely lucky. If I've come up against obstacles I've always found another way around it.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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I was really inspired by these larger-than-life female artists like Lee Bontecou and Eva Hesse and Yvonne Rainier and the incredible Lynda Benglis. There were many women who were really driven and became successful, who were part of essential paradigm shifts, despite the fact that the art world was still dominated by men.
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Most people want to become movie stars and I just want to be in the business. I already was a star. If I get the part of a lifetime and it blows up, then that's wonderful. But if the acting doesn't work, fine. I'll just be a producer. And if the producing doesn't work, fine. I've got a lot of other stuff.
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The more desperate you are, the more mistakes you make.
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I'm definitely nostalgic about the music of my youth; The Clash and Fishbone and that whole music scene. I still have all that music to this day. There was some great music going on in the late 70s and 80s.
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No god ever gave any man anything, nor ever answered any prayer at any time - nor ever will.
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I think the most expensive thing I've bought thus far is my Rolex.
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They were fun days, and we set the town on fire with every movie we did.
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Well then I'd certainly be a damned fool to feel any other way, wouldn't I?
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After 'Othello,' it was, like, 'I can stop acting. I have played one of the great characters in the English language. I feel I have played him well and honorably. I have nothing to prove anymore.'
