Lauryn Hill Quotes
Quotes to Explore
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I worked with Lukas Haas a long time ago, when he was younger, and he was wonderful.
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The political world is a dark place. If you want to portray it accurately, authentically, you've got to turn out the lights from time to time.
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For the first time, entrepreneurs can monetize their own open-source and peer-to-peer network. They can crowdfund and raise money from people across the world on the Internet in crypto-currency.
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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In the 1970s in New York, everyone slept till noon. It was a grungy, dangerous, bankrupt city without normal services most of the time. The garbage piled up and stank during long strikes by the sanitation workers. A major blackout led to days and days of looting. The city seemed either frightening or risible to the rest of the nation.
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I actually spend very little time listening to any new music.
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It took 23 years from Abraxane being conceived to us showing now with conclusiveness that it works in pancreatic cancer. We cannot afford as a society to wait another 23 years to make sure that the patients get the right care, at the right time, at the right place.
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Just try to focus one game at a time, not worry about points or anything like that. Worry about playing the right way and see what comes of it.
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I still think reading something like 'Ulysses' takes a tremendous investment of time, but it repays all of it with so much interest.
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The Supreme Court is having a hard time integrating schools. What chance do I have to integrate audiences?
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I'm a stand-up comic. I'm always doing dates; it's just that, if I'm working on a project or I'm busy, I can't get out on the road or book any shows. Since the beginning of my career, I'm usually out for at least 10-15 dates throughout the year. If I have time, then I try to get at least 30-40 dates.
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One becomes a grandfather and one sees the world a little differently. Certainly the world becomes a more vulnerable place when one has a grandchild, or now I have two. And I think that possibly there's some tenderness that came out of just time and age and being a parent and grandparent.
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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I'm very much over my hair. If it was up to me I'd have cut it a long time ago.
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If you go to a movie and it's a great experience, the experience at the end of it is always like this sadness that it's over, that your time with these characters is finished. There's almost like an achy feeling that I have when I go to a movie that I love and it ends.
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The European girls, like the Russians, tend to stick together, but there's never any rivalry. Sometimes there's a little bit of tension with the older girls because they might feel a little threatened by the younger models, but it's not between personalities.
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I wish the music business was a much easier thing, but you know what? Nothing easy is worth anything. So it is what it is. There comes a time when things can work out and everybody can be happy. And that's what it's all about in the end - everybody being happy and working it out.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the most difficult, the most interesting, the most exciting.
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I learned another lesson from Jack Welch. It was in 1998, and at that time, we were one of the most valuable companies in the world. I said, 'Jack, what does it take to have a great company?' And he said, 'It takes major setbacks and overcoming those.'
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It's the worst noise in the world: me analyzing the reasons for making a podcast about U2.
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We are drawn to our television sets each April the way we are drawn to the scene of an accident.
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When you're in a slump, it's almost as if you look out at the field and it's one big glove.
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Sometimes we all need to take time and give thanks.
