Ian Hart Quotes
Quotes to Explore
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We worked on solving the problem of voice communications in a noisy military environment. We established military codes that are highly audible and invented selection tests for personnel who had a superior ability to recognize sound in a noisy background.
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High fashion has become representative of stability in unstable places; that allows you to have a voice in the world stage.
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We in Congress stand by Israel. In Congress, we speak with one voice on the subject of Israel.
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Film has played such a big part in my life, in my impressions of the United States.
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I mean, in 'Big' and 'Pleasantville,' it's a journey that the characters go on where I think they come to kind of meet themselves at the end and who they actually are and give full voice to who they actually are. And that, you know, obviously fascinates me for some reason. Maybe I didn't adequately grow up.
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I definitely feel more comfortable in my own skin since turning 40.
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Each is responsible for his own actions.
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I want to be my own person.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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I will only do a Hollywood film when there is something special offered to me.
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I have my own studio down in Miami.
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I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.
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I'm extremely particular how my look should be in a film.
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It would be great to make a movie that had the style of a great '30's film.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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I think the biggest thing is voice. Whose voice is it? Who gets to control the narrative?
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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I guess the biggest difference from the things I've done in the past is that my work will be more narrative-driven adult films or vignettes, not just "gonzo" scenes, which are straight sex, no storyline.
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I haven't come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply do something different. Others had much better think of the form as being some sort of classical tradition and try to work within it.
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The goal is always to make a nice tableau painting with the voice. The more color I can find, the more shadow I can find - the goal is always to make more nuance and colors.
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A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
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I've only used my own voice about four times on film.
