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Frank's really different from everything I've done. Maybe the one thing that's the same, and the thing that I tend to do, is that I think I can create an intimacy with the characters, like a sense of presence with the people in the film, and that's what I tried to do in 'Room' as well.
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Good filmmakers make bad films; it happens.
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It drove me as a kid. I couldn't bear the idea that I wasn't the smartest. Then I got put in a B stream for four years at my school. And that was the making of me in a weird way.
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Trying to make something as tricky as 'Room' really believable is extremely hard, and it largely rests with that relationship between the actors and the director, and the director and the crew.
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I remember a Q&A I did in Wales where there were five people in the auditorium.
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Having started in sciences, I then turned around and said, 'Oh, I don't want to do sciences. I want to do philosophy.' And to their credit my parents said, 'if that's what you want to do, then go for it'. Then I got the scholarship to Stanford, which was very nice for the parents to talk to their friends about.