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When I wrote 'Noughts and Crosses', I was halfway through it when I realised this was very like 'Romeo and Juliet'... as long as you make it your own, and put your own spin on it, I think it's brilliant to use other great work to find your own voice.
Malorie Blackman -
I loved reading when I grew up but did feel totally invisible because I couldn't see myself and my life reflected in the books I was reading.
Malorie Blackman
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A good book is a good book. End of story.
Malorie Blackman -
I personally, as a teenager, didn't like books I felt were trying to preach to me... I did not believe in happy endings. I wanted to read books which reflected life as I thought I knew it.
Malorie Blackman -
In a television interview, I said that diversity in our children's books should include the adventures of disabled children, travellers and gipsies, LGBT teens, different cultures, classes, colours, religions. It shouldn't be a token gesture, nor do such stories need to be 'issue-based'.
Malorie Blackman -
Any anxieties publishers have about putting a child on the front cover of a book who isn't white is very old fashioned.
Malorie Blackman -
Children find prescriptive reading lists daunting, and they are a dangerous thing to have in schools.
Malorie Blackman -
When I was a child, we used to look forward to the end of the day when we would hear another ten minutes of a story.
Malorie Blackman