Alden Ehrenreich Quotes
I had a meeting with the producer of 'Five Easy Pieces,' which is my favorite movie. He introduced me to Francis, and I spent six months going to Napa and Buenos Aires, auditioning for Francis and doing these incredible improvisational games. It was a very bohemian audition process.
Quotes to Explore
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
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There are people who think I should be using the position of secretary of state simply to weigh the scales on the side of my own party. I just don't accept that, and it would not be proper.
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There are hundreds of people running around with great voices. If they would study and develop them they could become great singers.
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I'm learning as I go. I don't know everything. I never had anybody to look at, nobody ever taught me, and where I'm from I didn't have any famous role models.
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I'm prepared for Amir Khan moving swiftly - or for whatever style he comes out using. I prepared with sparring, in the style similar to what he uses.
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Tonight we send a message to our party that here in Illinois, there will be a new generation of Republican leaders and we will fight to provide a better tomorrow for future generations. We've made clear the status quo is no longer acceptable.
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Our country does not believe in the concept of your God and my God. We believe that all gods are one. We have different ways of accepting Him. All ways lead to Him.
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Happiness is only attained by the free will agreeing in its freedom to accord with the will of God.
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Pain is real when you get other people to believe in it. If no one believes in it but you, your pain is madness or hysteria.
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People employed in financial institutions are rarely interesting and even more rarely likable.
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If they can go out and buy my albums, I can at least make the sacrifice to holler at the few people who call. A lot of times I'm busy so they'll get my voice mail. And if I can speak to them and I have time, I always text back. Because I think that's very important.
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The live setting is always better for me. I usually thrive at live. I feel like having a band behind me and being able to interact with the crowd helps boost my energy up.
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Usually, I just don't care what I look like. If it's cold, I'm, like, putting on whatever I have to to be warm.
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I had five children in six years. The day I brought my fifth baby home, that week, my daughter turned 6.
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At the risk of sounding like Virginia Woolf, I could live on £700 a year.
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I believe that if you have revolutionary potential, you must make the world a better place and use it.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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You don't usually get a compound word where the first part is a slang thing and the second part is a rather ordinary or formal thing - they don't usually mix - but 'gobsmacked' is a perfect exception to that rule.
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If America don't come around, we're gonna' burn it down.
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I cried most days working on the first draft. The last scenes were the hardest. I had a feeling where I wanted to end - the exact note - but I couldn't see how to get there. Sarah Murphy, my editor, asked the right questions to help me. I think of 'The Bear' as a hopeful book.
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'Thelma and Louise' was a pretty important film for me and still is. It's a social film about many things - gender, freedom - and it puts someone like me into the place of these protagonists. Watching that movie, you are living through the eyes of these women.
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I had a meeting with the producer of 'Five Easy Pieces,' which is my favorite movie. He introduced me to Francis, and I spent six months going to Napa and Buenos Aires, auditioning for Francis and doing these incredible improvisational games. It was a very bohemian audition process.
