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I'm an actor because I love movies, and always have loved movies. I'm a film buff.
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I made short films in school.
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When I was a little kid, my parents would show me Marx Brothers' films and westerns and stuff like that. That's where all my desire to be an actor comes from and probably most of my understanding of acting comes from for sure.
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This movie 'On the Road' with Kristen Stewart - they were trying to make that movie for 30 years. She says she wants to do it, and they can finally make it. You have so much at your disposal if you're in a successful commercial film.
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My parents were big film buffs.
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I haven't worked enough to worry about getting typecast, but I do as a film lover didn't want to be working with the bad guys. I didn't want to be making a movie I thought was contributing to a lower base of movies that I just didn't think were helping people, really.
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I think everyone in high school at one point feels like they're on the outside observing what's going on. Even if you're very popular, you have an outsider experience.
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I don't find it very helpful to know who else is going up for stuff, generally.
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I would say that it's mainly about the director. It's a hard quality to find, but I always know whether I want to do something or not. The character is important to me, as is getting to work with people that I feel like I can learn from and make a great movie with.
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There's a lot of directors I'd still love to work with - one of them is Spielberg, because he kind of started my career, and I've not worked with him yet.
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I carry around a black leather Moleskine journal all the time. And I always write ideas down, especially when I'm on set and working with actors like Jeremy Irons and Viola Davis and learning from them.
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Whenever you hear somebody else is auditioning for something, you sort of assume they're going to get it. You should try to just ignore it.
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I had a meeting with the producer of 'Five Easy Pieces,' which is my favorite movie. He introduced me to Francis, and I spent six months going to Napa and Buenos Aires, auditioning for Francis and doing these incredible improvisational games. It was a very bohemian audition process.
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If I tried to somehow wrap my head around the fact that Francis Ford Coppola directed my first movie, there's never a slot into which that ever fits in your mind.
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What drew me to 'Beautiful Creatures' was the character that I get to play, Ethan. Within three pages, I knew he is so specific and interesting.
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My favorite one... it's hard to pick a favorite. But the one I really love a lot is 'A Serious Man.' I just love, love 'A Serious Man.'
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I don't have social media, and I'm not, I guess, that adept at being on the Internet.
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My mom wouldn't let me do child acting.
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I just can't imagine having to do an accent all the time - like, in your whole career.
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If I had to do a lot of promotion as a kid, it would have been very intense. I'm really glad I got to go through high school, have a college experience, and have the last five years since then, just... being a person.
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I think it would be frustrating having to do things you wouldn't want to do, having to make movies you didn't like.
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I did my first film with Francis Ford Copploa, which spoiled the hell out of me.
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It's appealing to me to get to be in a commercial film without feeling like I sold out.
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With 'Running Scared,' I originally wanted to do a piece that was going to be about a couple, and the whole thing would be based on wall posts on Facebook. So the idea started there.