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It's an awful feeling, being hungry.
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From nine years old, I lived with fear. I saw our neighbours disappearing. I was scared that I would come home from school and my parents would not be there.
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When I was 10 years old, I fled my homeland amid the bomb blasts of civil war in Sudan.
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For me, you have to have some kind of modesty.
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When I think of 'Instagram models,' I say you have to take baby steps. You cannot just walk straight onto the runway.
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Going back to South Sudan after the independence took place was deeply emotional for me because I had gone through the civil war with my family just before going to seek refuge in London.
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My mother always has embedded in us that you guys rock in different ways, and to be able to celebrate that with each other is just beautiful.
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Bones inside clothes. That was war to me.
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I am so impressed by UNHCR staff who live and work side by side with the refugees. It's really remarkable.
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Leaving southern Sudan as a child was terrifying. It was 1985, and my family and I were trying to escape to Khartoum, the capital in the North, to safety.
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There are people who can look out for other human beings; there are people who can speak up when something is not right and say, 'This is wrong, and something should be done.'
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There's one thing we all share: We eat to nurture ourselves, to feel stronger.
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When I talk, it shouldn't just be black girls listening.
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Beauty should not be culturally relevant; it should be universal.
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Many live to eat, instead of the other way around.
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I still have dreams in which someone is coming to the door.
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London is like my second home. I've still got friends there from school and from when I first started in the modelling business - people such as Karen Elson, Jasmine Guinness, Jade Parfitt.
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Restaurants serve huge portions on even huger platters, and people are tempted to eat too much.
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When I was working, there was no digital. We actually worked; we used Polaroids.
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My commitment to refugees comes from a very personal place.