Leon Trotsky Quotes
Quotes to Explore
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If I started worrying about how my constituents are going to react to every move I make, I wouldn't be able to do my job here. I'll do what I think is right and explain it later.
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Being nervous isn't always the worst thing for me.
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There's nothing wrong with a thick eyebrow; Frida Kahlo had them.
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Kevin Hart. He's the man! I like his style. He's short, so I can relate. All the stories he tells are real. I respect that, and he's just a really funny dude - great comedy instincts. To do stand-up on a stage for an hour and tell stories and make people laugh is incredible.
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I'm from Brooklyn. In Brooklyn, if you say, 'I'm dangerous', you'd better be dangerous.
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Our house is a constant mayhem of music, noise, socializing and business. It vibrates life, as a house should.
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I'm a little angry in life.
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The work environment on 'Battlestar Galactica' is unbelievable, and it's something that doesn't come along very often.
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A lot of people go in and have to create their own characters, and they do fine with it.
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It's not like I've ever been the popular pretty girl at school or anything. I was always such a weirdo.
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I've never been on a date.
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I never look at how many songs I have or how many girls are there in a movie. If I like my character, I play it.
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I used homeopathy, acupuncture, yoga and meditation in conjunction with my chemotherapy to help me get stronger again after the cancer. I also chanted with Buddhist friends and prayed with Christian friends. I covered all my bases.
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Our world is increasingly interdependent and pluralistic, and in order to ensure a civil future, we must get to know one another.
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People want you to fail.
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It's extremely difficult to say what one actually means by 'sculpture' other than, in a provisional sense, it's something that goes on the floor or a pedestal, and loosely applies to a certain history of the use of that term.
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There was a door to which I found no key: There was the veil through which I might not see.
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You have to captivate and entertain if you want your message to get across.
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I believe every artiste, at some point, needs to take a step back.
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I'm interested in playing, not working.
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With fantasy, one often has to think of a well-loved series before narrowing the selection to a favourite book. So it is with Zelazny. I've read his 'Princes in Amber' books so often, I know them almost verbatim, so much so that I am now trying to forget them so I can return to them with renewed pleasure.
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I showed the grown ups my masterpiece, andI asked them if my drawing scared them. They answered why be scared of a hat? My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant.
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I've worked with a lot of wooden actors in my day, but Pinocchio is the best.
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Our differences with [Joseph] Stalin are entirely of a strategical character.
