Alex Gibney Quotes
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There are all sorts of inventive ways to get your film out there: sometimes via the Internet, sometimes via viral screenings in people's living rooms across the country.
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It might kill you to say it, because the film really takes on the Catholic Church, but I do think there is a sort of affection for certain rituals, and an authenticity to the presentation of those rituals, in 'Mea Maxima Culpa.'
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For years, the Bush Administration eviscerated all the military and legal structures that were designed to separate the innocent from the guilty in the 'Global War on Terror.'
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I think the future of journalism is going to be a battle between caution and recklessness. And I think a little bit of recklessness is a good thing, as some of the WikiLeaks cables proved.
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You have to assume once you go online, anything you put there can be made public. Yet while you're online, you feel like it's a private, sacred space. But you're really broadcasting to the world.
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Dialogue between people of differing views is critical for fostering understanding in a democracy.
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I'm a sports junkie, and I am interested in athletic will - how you exceed the expectations of your own performance when it counts to deliver something beyond yourself so that you can win.
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When I was a kid, I played sports a lot. My mom and dad were divorced, but I hung out in the neighborhood a lot, and it was all about sports. I would be out all day on the sand lot or on the hockey rink. My dad would take me to baseball games, but he worked so hard, and he would always fall asleep.
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'Park Avenue: Money, Power and the American Dream' is an intentionally angry film. How could it not be when the chance of an infant dying is five times greater on the Bronx Park Avenue than on Manhattan's Park Avenue just across the Harlem River?
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Here's where the insurance companies really fail us. They over-pay hospitals, specialists and drug companies and then raise premiums to cover the costs. Further, when they pay hospitals 115% of what it should cost to care for a patient, they are paying for inefficiency that can be dangerous.
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'24' glamorizes torture. I don't think there's any other way of putting it.
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There's something magical about a home run. It almost violates the space of the stadium. It's a game of the imagination in some ways. Baseball.
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We live in a world where everyone thinks they do the right thing, so they are entitled to do the wrong thing. So ends can justify the means.
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I'm a good learner. I can dig in. I knew nothing about mark-to-market accounting when I started the 'Enron' film.
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I'm not sure why, but I seem to be drawn to stories about abuses of power. But I'm also drawn, not so much to victims' stories, as stories that tend to show how power works. Because if you don't understand the criminals, you can't figure out how to stop the crimes.
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I would tell filmmakers: 'Don't just be seduced by the same old, same old. There are interesting things you can explore that may get your film out there to audiences better than the traditional distribution mechanisms.'
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In the U.S., hospitals are rewarded for keeping hospital beds full. That's the market at work. The question is: should we work for the market, or should the market work for us?
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To get discounts on some drugs, private insurers are willing to pay top prices for blockbuster pharmaceuticals like Vioxx, despite the fact that Vioxx was rumored to cause fatal strokes and heart attacks.
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The whole macho thing has to be reexamined. Because in my view, the Bush administration was weak, not strong. To engage in a policy of torture is a weak policy. Because ultimately, it encourages the terrorists. It undermines our own values. It corrupts our system. And it doesn't get good intelligence.
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Now, unfortunately, some prissy card-carrying members of the U.S. Constitution have made us all look bad by pointing out that many of the Gitmo detainees weren't guilty of anything. Whoops!
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In the case of 'Zero Dark Thirty,' about the hunt for Osama bin Laden, an issue that is central to the film - torture - is so important that I feel I must say something. Mark Boal and Kathryn Bigelow have been irresponsible and inaccurate in the way they have treated this issue in their film.
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I think of my films as not necessarily political but more moral. Between my father, my stepfather, and my mother - they all felt pretty passionately about the importance of standing up and doing the right thing, and none of them were suck-ups. What motivates me is usually abuse of power.
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I thought it was a classic David and Goliath story, and I was fully onboard Team WikiLeaks. I was very pro the leaks, barring the redaction issue. But I see WikiLeaks as a publisher.
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I feel that Julian Assange came to be both paranoid and self-regarding in ways that ultimately undermined his own mission. And so, the transparency radical became a secret-keeper instead of a secret-leaker. And that, I think, is a big problem.