Leos Carax Quotes
My films start with images, a few images and a few feelings, and I try to edit them together to see the correspondence between these images and these feelings.
Quotes to Explore
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At first, before you meet her, you're like, 'I'm gonna meet Angelina Jolie! I'm talking to Angelina Jolie!' And then, within a matter of five minutes, you're like, 'Oh, I'm just talking to my director,' and it's just back to work. She really is all about the work. She's so surprisingly down-to-earth.
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A statesman who keeps his ear permanently glued to the ground will have neither elegance of posture nor flexibility of movement.
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Doing voice-over work is something that I love to do, and it is a lot of fun at the same time.
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The psychology of women hitherto actually represents a deposit of the desires and disappointments of men.
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Are there differences between black actors' opportunities and white actors' opportunities? Yes, there are. It's been said.
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The more I talk about things, the more I understand myself.
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Where I'm focused now is how I get more women leaders. We decided not to just look outside the company for great women to hire, but to help women rise up through the ranks internally.
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I always think it's because of you know hard work, hard training. And if Susie's training hard, you know, why can't I train hard to get a world record. I'm doing the same thing.
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I was amazed at how the life of a freelancer differed from running a remote studio for another company. I thought I knew what I was doing in 2004 when I left Eidos because I had run Ion Storm Austin, which was my own independent studio. I had run a business unit inside Origin, but being part of a startup is crazy.
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You kind of forget he's Peter Jackson in a way because he's so normal; he's lovely. It's like having a friend direct you, except it's Peter Jackson.
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I go home, and I'm a blob. I just lay there and don't do anything - lay by the pool with the other husbands while the wives work. It's fantastic. It's really good. That's kind of our life at home.
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I've been grateful that 'Time's' reach and mandate is so broad; anything you're interested in, you can usually write about.
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I do not favor the gag order.
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Misanthropy is born, I think, out of an almost oppressive sense of loneliness, a conviction that there's no one on earth who understands you. I don't think misanthropes hate people: They hate that people hate them.
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Cuba never had advisors in Vietnam. The military there knew very well how to conduct their war.
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If you look on Amazon - if you do a search for personal finance, there are literally 20,000 books written on personal finance, and there's no real reason for it. I mean, personal finance is pretty simple.
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I have a fear of things growing on things. I don't know where it came from. But I go hiking a lot, and sometimes I can't handle moss growing on trees or tumors on trees or mushrooms.
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My first novel was turned down by half a dozen publishers. And even after having published five or six books, I wasn't making enough money to live on, and was beginning to think I'd have to give up the dream of being a full-time writer.
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I was very influenced by the films of the '70s.
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I know America is very nice and very good people. I'm a professional athlete. I come here. I never have a problem with somebody about my religion, about my name. I am happy. I'm always comfortable because I never do anything wrong. All the time I do something right. I follow all the rules.
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I think it was in high school when I was listening to Sheryl Crow and Michelle Branch or Avril Lavigne - that time when female pop rock was really having a moment - and it really resonated with me. I started writing poetry, and I was learning how to play guitar at the time, but I didn't really put the two together for a while.
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It really comes down to Mick. He's the one who was constantly trying to get these five people in one room together. This is his love, his baby. It's his band, and there's nothing more he loves to do than get up on stage and play with us.
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And on a Canadian set, everybody is equal. You get paid the same. You live together in barracks. You have a communal kitchen. You buy and cook your own food.
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My films start with images, a few images and a few feelings, and I try to edit them together to see the correspondence between these images and these feelings.
