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Like I said about Freaked, people tend to find these films, and I think that in the end the cool thing about a movie is that it can be sort of burnt temporarily, but then it's burnt into the fabric of your culture.
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Coppola has problems getting financing, so why should I not have problems getting financing.
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The film, even when we were making it in that budget range, which was really a coup - we got it made because we pitched it to the studio head, Joe Roth.
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That's kind of the weird thing that M. Night Shyamalan has sort of unleashed upon the world is this need for every movie to have these ridiculous endings.