Alexa Hirschfeld Quotes
We don't want to be a design line. Ultimately, we want to be a platform that houses many design aesthetics.
Quotes to Explore
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Man is a physical and spiritual epitome of the Universe.
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As I moved to less and less diverse places in my life, I realized that white people don't talk about race amongst themselves!
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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I believe journalism or news will migrate to the online medium.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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Every child should at least grow up in family rather than without one.
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My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
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I am not a great theologian. I know there is a theological concept called invincible ignorance in which a strong enough faith binds you to any facts to the contrary.
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I have lots of passions - gardens, art, music and reading. I have eclectic taste and read a huge variety of books.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.
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One Hundred Year Starship really is about the idea that is we pursue an extraordinary tomorrow; we'll build a better world today.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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People win Oscars, and then it seems like they fall off the planet. And that's partly because a huge expectation walks in the room and sits right down on top of your head. The moment I won the Oscar, I felt the teardown the very next day.
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For me the purest and truest art in the world is science fiction.
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I don't want to play everyone's best friend. I don't want to play the role of a girl struggling in the ghetto. It's not that that story isn't important, but I saw patterns, and was like, 'I don't relate to these people.'
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We discount the physical, when, in fact, much of life is physical. People's personalities are partly formed by, or in response to, how they take up space; the physical mask has some relation, howsoever obscure, to the mental work happening underneath.
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There's no one to stop you but yourself.
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If you have multiples of anything, you have the possibility of repetition. Repetition creates pattern and also unity. Put anyone in a room with a pile of similar objects and say, 'I want a pattern by 3 P.M. or no dinner.' Anyone would come up with a design. It is easy, fun and available to anybody. Most people just don't have the nerve.
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At age 12 or 13, I wanted to design for showgirls - for the theater!
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In the '80s the band was 24/7. You were only as good as what you were producing at any given moment. Now my family is more important. I also think having the shock of your mum and dad dying humbles you slightly.
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The grass and the rivers and the stones and women and horses and more Stars and men and clouds and birds and trees came dancing through the afterbirth of the Mare
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We don't want to be a design line. Ultimately, we want to be a platform that houses many design aesthetics.
