Alexa Hirschfeld Quotes
We don't want to be a design line. Ultimately, we want to be a platform that houses many design aesthetics.
Quotes to Explore
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Man is a physical and spiritual epitome of the Universe.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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I believe journalism or news will migrate to the online medium.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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Every child should at least grow up in family rather than without one.
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My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
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I am not a great theologian. I know there is a theological concept called invincible ignorance in which a strong enough faith binds you to any facts to the contrary.
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I have lots of passions - gardens, art, music and reading. I have eclectic taste and read a huge variety of books.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.
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One Hundred Year Starship really is about the idea that is we pursue an extraordinary tomorrow; we'll build a better world today.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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People win Oscars, and then it seems like they fall off the planet. And that's partly because a huge expectation walks in the room and sits right down on top of your head. The moment I won the Oscar, I felt the teardown the very next day.
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For me the purest and truest art in the world is science fiction.
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I don't want to play everyone's best friend. I don't want to play the role of a girl struggling in the ghetto. It's not that that story isn't important, but I saw patterns, and was like, 'I don't relate to these people.'
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We discount the physical, when, in fact, much of life is physical. People's personalities are partly formed by, or in response to, how they take up space; the physical mask has some relation, howsoever obscure, to the mental work happening underneath.
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I would rather not have contentious interviews. I'd rather do 30 minutes with Charlie Rose, laid back in a La-Z-Boy chair.
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You were not supposed to show off in Negroland because you are supposed to be perfectly decorous and well behaved. You were also not supposed to tell any stories that reflected badly on the group because that reflected badly on the race. I use past tense, but it still feels like present tense.
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At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.
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Nature expresses a design of love and truth.
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I'm intolerant often, especially of incompetence, particularly my own.
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I was a stoopball fan. I played stoopball all the time.
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We don't want to be a design line. Ultimately, we want to be a platform that houses many design aesthetics.
