Alexa Vega Quotes
I hang out with all the crew on set. It just makes it easier to work. You feel more comfortable around everyone.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I have never been given to envy - save for the envy I feel toward those people who have the ability to make a marriage work and endure happily.
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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I think people do their bravest work when given an elusive canvas. That would be seemingly the weirdest, but also the most wonderful.
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I got to work with legendary director Garry Marshall.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
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After Halle Berry does her films and Queen Latifah does her films, it's left to all the black, Latino and Asian actresses to fight over a couple of roles. I opted for some TV. There's just not a ton of work in film.
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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I work out, I go to pilates, I walk and I eat everything I can get my hands on.
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It might be said that it is the ideal of the employer to have production without employees and the ideal of the employee is to have income without work.
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To get important work done, most leaders organize people into teams. They believe that when people collaborate toward a common goal, great things can happen. Yet in reality, the whole is often much less than the sum of the parts.
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I'm not partial to any system, but at the same time, I'm a Korean actor, so I expect to work mainly on Korean projects.
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People have the problem of denial. This is one of the things I learned in Lebanon. Everybody who left Beirut when the war started, including my parents, said, 'Oh, its temporary.' It lasted 17 years! People tend to underestimate the gravity of these situations. That's how they work.
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Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.
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I feel like I've made good friends with people I've worked with, but in terms of lasting inspiration, it is probably Matthew Vaughn who directed 'Kingsman' who's been really supportive, loyal to me, and been a really good person to work with.
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Sometimes you start a little further back from the starting line. And you're going to have to work a little bit harder, and push it faster to get to the finish. I'm willing to put in the work, to compensate for other things, to get ahead, to get to where I want to be.
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An army is to a chief what a sword is to a soldier. It is only worth anything in so far as it receives from him a certain impulsion (direction and vigour).
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Coming tight was boring to me, just the face... it didn't have enough information.
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It's really cool to have the ability to try on being different people and to explore some parts of yourself because you get to know yourself better. You get to know parts of yourself that you haven't met before.
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It was great being brought up in a Glasgow working-class tenement. It wasn't miserable, and it wasn't poverty stricken. It felt very safe, full of delights.
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I hang out with all the crew on set. It just makes it easier to work. You feel more comfortable around everyone.
