Alexa Vega Quotes
I hang out with all the crew on set. It just makes it easier to work. You feel more comfortable around everyone.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I got to work with legendary director Garry Marshall.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
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After Halle Berry does her films and Queen Latifah does her films, it's left to all the black, Latino and Asian actresses to fight over a couple of roles. I opted for some TV. There's just not a ton of work in film.
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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I work out, I go to pilates, I walk and I eat everything I can get my hands on.
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It might be said that it is the ideal of the employer to have production without employees and the ideal of the employee is to have income without work.
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To get important work done, most leaders organize people into teams. They believe that when people collaborate toward a common goal, great things can happen. Yet in reality, the whole is often much less than the sum of the parts.
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People have the problem of denial. This is one of the things I learned in Lebanon. Everybody who left Beirut when the war started, including my parents, said, 'Oh, its temporary.' It lasted 17 years! People tend to underestimate the gravity of these situations. That's how they work.
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Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.
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I feel like I've made good friends with people I've worked with, but in terms of lasting inspiration, it is probably Matthew Vaughn who directed 'Kingsman' who's been really supportive, loyal to me, and been a really good person to work with.
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Anyone who thinks Peter Jackson would fall for market forces around him rather than artistic integrity doesn't know the guy or the body of his work.
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Even my parents are so cute, and they deal with every movie of mine excellently. They check with me ever so casually by asking 'Now how much of nudity are we going to see in this one?'
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I'm not a writer where I feel particularly blessed by great inspiration every day. I don't. I have to work really hard at it to try and say the things I'm concerned with.
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The reader has to be creative when he's reading. He has to try to make the thing alive. A good reader has to do a certain amount of work when he is reading.
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We won't dispassionately investigate or rationally debate which drugs do what damage and whether or how much of that damage is the result of criminalization. We'd rather work ourselves into a screaming fit of puritanism and then go home and take a pill.
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The people I am most interested in are the ones on the edge of losing everything and falling into the last bit of despair. I'm trying to write about how people exist on that edge and how they can come back.
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Our needs are our greatest asset. It turns out I've learned to give all the things that I need.
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I got to the big leagues when I was 20. I thought I had it all figured out. Went to spring training that next year and started off well, got sent down, and I pouted pretty much all of 2000. And it wasn't the right way to handle it.
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Arts and crafts, or getting to be in a play with people, or making a little short film, that's pure sugar, because the stakes are so low.
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I hang out with all the crew on set. It just makes it easier to work. You feel more comfortable around everyone.
