Alexa Vega Quotes
I hang out with all the crew on set. It just makes it easier to work. You feel more comfortable around everyone.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I got to work with legendary director Garry Marshall.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
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After Halle Berry does her films and Queen Latifah does her films, it's left to all the black, Latino and Asian actresses to fight over a couple of roles. I opted for some TV. There's just not a ton of work in film.
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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I work out, I go to pilates, I walk and I eat everything I can get my hands on.
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It might be said that it is the ideal of the employer to have production without employees and the ideal of the employee is to have income without work.
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To get important work done, most leaders organize people into teams. They believe that when people collaborate toward a common goal, great things can happen. Yet in reality, the whole is often much less than the sum of the parts.
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I'm not partial to any system, but at the same time, I'm a Korean actor, so I expect to work mainly on Korean projects.
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People have the problem of denial. This is one of the things I learned in Lebanon. Everybody who left Beirut when the war started, including my parents, said, 'Oh, its temporary.' It lasted 17 years! People tend to underestimate the gravity of these situations. That's how they work.
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Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.
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I feel like I've made good friends with people I've worked with, but in terms of lasting inspiration, it is probably Matthew Vaughn who directed 'Kingsman' who's been really supportive, loyal to me, and been a really good person to work with.
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Anyone who thinks Peter Jackson would fall for market forces around him rather than artistic integrity doesn't know the guy or the body of his work.
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The drills we do, where you're telling kids to memorize things, don't actually work. What works is engaging them and letting them do things and discover things.
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Even my parents are so cute, and they deal with every movie of mine excellently. They check with me ever so casually by asking 'Now how much of nudity are we going to see in this one?'
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My father was a great inspiration, and there was a bit of competition between us. He'd work in his studio, and I'd work in my space, but the door was always half open.
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I'm playing pretty good now, but my ranking doesn't say that. I'm number two.
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I am entirely certain that twenty years from now we will look back at education as it is practiced in most schools today and wonder that we could have tolerated anything so primitive.
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I may find myself changing my notions about what I want to do right in the middle of a film. And on days when I'm feeling merry, I shoot merry scenes, and on gloomy days, I shoot gloomy ones.
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I hang out with all the crew on set. It just makes it easier to work. You feel more comfortable around everyone.
