Lev Grossman Quotes
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My book group has one rule: no books for adults. We read young adult fiction only.
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Every year the literary press praises dozens if not hundreds of novels to the skies, asserting explicitly or implicitly that these books will probably not be suffering water damage in the basements of their authors' houses 20 years from now. But historically, anyway, that's not the way the novelistic ecology works.
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The paradox of the English country house is that its state of permanent decline, the fact that its heyday is always behind it, is part of the seduction, just as it is part of the seduction of books in general.
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It's a great thing when you feel that you recognize yourself, deeply and movingly, in a work of literature.
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I studied the cello for a long time, from when I was little up through college.
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I mean, when you're tired of book reviews, you're tired of life.
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It's natural for a child to assume that his or her own childhood is unremarkable.
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Hating a book is not unlike hating a person; in fact it's tempting to just go ahead and hate the author personally, by proxy, qua human being, except that I know that would be a mistake.
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I went to college at Harvard, then did three years of graduate school at Yale. At both places I studied comparative literature. People find it odd that I went to both Harvard and Yale, and I guess it is odd, but that's just what people did where I grew up.
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My specialty as a collector is books that almost have value. When I love a book, I don't buy the first edition, because those have become incredibly expensive. But I might buy a beat-up copy of the second edition, third printing, which looks almost exactly the same as the first edition except that a couple of typos have been fixed.
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I don't know if I've ever derived such an immediate sense of calm and well-being from any book as I did from 'Right Ho, Jeeves.' It was like I was Pac-Man and the book was a power-up.
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I'm happy to report that 'The New Press' is still in business to this day. But not thanks to me. I was a really bad publishing intern.
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I used to write in a local coffee shop, but there was another guy, another writer, who kept sitting in my favorite seat. I would show up, and he would be there, and I would get exiled to a couch or something, and it would throw me off my game.
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The novel is a highly corrupt medium, after all - in the end the vast majority of them simply aren't that great, and are destined to be forgotten.
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I'm not a Dickens guy. In grad school I had to take at least one course on the Victorians, so I took The Later Dickens, because that was what there was.
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I got my first whiff of what big-time adult literature was all about when I was in 8th grade. I got it from Mark Linn-Baker. You know - the guy from 'Perfect Strangers.'
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How often have I met and disliked writers whose books I love; and conversely, hated the books and then wound up liking the writer? Too often.
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The year after I graduated college I had a job in a library. When people underlined passages in the library books, or made notes in the margins, the books were sent to me. I erased the lines and the notes. Yes, that was my job.
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When it comes to true humility in the face of history, nothing beats complete silence.
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I've drunk Amazon's free Diet Coke. Nothing makes more sense to me than a company trying to make bookselling into a profitable business. I'm not anti-Amazon, and I'm not pro-publishers either. I'm pro-books.
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A novel with a bad middle is a bad book. A bad ending is something I've just gotten in the habit of forgiving.
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I recognize that on paper, you can't really tell that I'm a fan or a nerd.
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There's a special gut-check moment the first time you write a scene in which somebody casts a spell.
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It's no longer possible to simply build English country houses out of words, because they've already been so thoroughly described that all the applicable words have been used up, and one is forced to build them instead out of words recycled and scavenged from other descriptions of other country houses.