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The best actors are always the ones who've directed as well, as they understand all the problems you face.
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I don't feel despair because I am able to make the films I want to make, and that gives me hope.
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The kindest thing a director can do is look with open eyes at everything.
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What is filmmaking but groping in the dark?
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If you were falling in love and you could go back in time and relive a day and see the banal things you did that you'd forgotten about, you'd weep, looking at that day.
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There is an audience out there for literate films - slower, more observant, more human films, and they deserve to be made.
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I never wanted money worries to slow me down or make me take a job I didn't want.
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But it's just that the whole country is making generally lousy films these days and has been for quite a while. That's the big problem that we all have to think about.
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I think that Peter Jennings is the only decent one of the big three.
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I get asked, 'How can you have such failures in your films?' Well, what else is life about? There's some sense of constant failure in something. Humor gives you a distance from it.
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I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth.
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I like voice-over in films, and most of my films have been voice-over films.