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	The system in Sweden is great because you get free healthcare and free education; someone who doesn't have a lot of money can become a doctor or lawyer. There's good paternity and maternity leave - the U.S. is probably the only civilised country in the world that doesn't give parents anything.   
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	There are a lot of Swedes in Hollywood in general. We have a tendency to know each other and help each other out.   
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	Routines, or lack thereof, are a pretty good way to get to know someone.   
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	I'm really into 'Veep.' I think that the showrunner Armando Iannucci is a genius.   
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	There's something I love about how stark the contrast is between January and June in Sweden. In a way, I feel that time doesn't exist in LA. Sometimes I don't know if it's February or April or October, because you're always sitting outside on the same patio, and it's 70 degrees.   
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	People don't know much about what's going on on the ground in Iraq: what you see in the media is heavily censored.   
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	I wasn't like a Hollywood child actor - 'I'm five! I can sing, I can dance, I can act! I wanna be a star!'   
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	There was this sausage factory a block away from my childhood apartment. It didn't smell nice, like chorizo or something; it was pretty foul. Just nasty. But that smell reminds me so much of my childhood because every morning when I was going to school, I would smell that.   
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	It's difficult to get to know a Swede. But once you do, you're in.   
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	We are civilized human beings, but we're all animals deep down, and that creates a certain friction in all of us.   
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	I grew up in a very urban, bohemian family where everyone was a hippie or a pacifist. It was artistically and intellectually stimulating, but they were definitely not into outdoor sports or activities.   
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	I spent a summer in Texas when I was eight, in Fredericksburg, which is, like, real Texas. It's, like, cowboys and stuff. That was my first time in the States, and I was eight years old. It was also the first time I tasted Dr. Pepper, which blew my mind.   
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	To go from 'Generation Kill,' which is a very real, dark, gritty series, to 'True Blood,' which is flamboyant, crazy, way out there... I couldn't ask for two better jobs.   
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	Sweden is a good country to raise a family in because there is an equality there I don't feel in the States.   
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	Life isn't one-dimensional. The world isn't simply divided into good versus evil. I think we're all capable of both.   
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	Swedes are such a civilised, perfect society - at least on the surface. There's a great safety net, a huge middle class, free education, free health care. People are very polite, they wait their turn. They're not too loud, they're not too quiet, but sometimes it's a little too perfect.   
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	It's all about trying to find those projects where you get to enjoy yourself, because I think that's when you create as well: when you're genuinely excited about something. Then you're not just doing it because it's your job.   
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	I've been a member of Greenpeace since I was a teenager.   
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	I've always been interested in those Orwellian dystopian novels, like 'Fahrenheit 451,' 'Brave New World,' and obviously Orwell's '1984.'   
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	To me, when I watch movies, it's always fun to watch the bad cop or the bad guy.   
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	'True Blood' was the most amazing adventure of my life; I met some of my best friends.   
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	I've always freelanced as an actor, and you always have to worry about the next paycheck. When I booked 'True Blood,' I promised myself I would take advantage of the fact that for the first time in my career, I could afford to turn down big money to go and do small, character-driven indies.   
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	When you're in the public eye, we all feel like we're constantly observed, so we don't let things out. Anger, sadness, happiness - when does that come out? Maybe when you're in traffic, because you're in the safety of your little metallic bubble.   
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	As a teenager, I didn't want to be an actor at all.   
