Alexandra Cassavetes Quotes
Quotes to Explore
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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It's a question of not copying the masters, to look for something, good or bad, for oneself. To enter this liberated state of mind, one cannot copy the others.
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I sail, run dogs, ride horses, play professional poker and tell stories about the stuff I've been through. And I'm still a romantic; I still want Bambi to make it out of the fire.
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When romance is done well in a movie, it's awesome.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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I remember how much fun it was to pick out my lunchbox. My all-time favorite lunch box was from the movie 'Annie.' Also, I loved picking out school supplies! Trapper Keepers were my favorite.
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I think movie and television companies are in the business of making money, and if you have a franchise, eventually you'll want to exploit that franchise and revisit it. So I assume at some point someone will do another story in the 'Lost' world.
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I would love to do a 'Scream'-type movie.
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I tried to get a baseball movie made a couple of years ago and I don't think it didn't happen because I was a woman, but because sports movie don't sell internationally.
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After studying art, I was a painter for a while and was asked to audition for a movie randomly. I hadn't thought of acting before that.
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Oh I'm a huge comic book movie fan.
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I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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For me, the greatest thing a movie can do is rivet you while you're watching but also give you something to chew on for days and weeks after you've seen it.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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I read the script for 'Somnia' when I was filming 'Oculus,' and I remember calling my manager going, 'I really need to do this movie,' and he's like, 'How about you finish this one first and then you see it?' I was like, 'I don't need to. I don't need to. You need to read this. I need to do this movie. The script is very good.'
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'Sucker Punch' is a big girl power movie.
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Then if your movie clicks with real audiences, you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.
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There's no doubt that 'Lion' is an audience pleaser. I mean, I went to a lot of research screenings all over, in London and America and Australia, and the results were ridiculous, and the crowds were... they just loved the movie, so for me, my job is done.
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That's what happens when you're making a movie, you find yourself really loving all these people sitting across from you.
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For example I don't work with William Hurt the same way that I will work with Viggo. They're different guys and they work in different ways. So a good sensitive director has his general style and technique and personality that he uses but you don't impose that on the actors.
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Although I went to college in the United States - Carleton in Northfield, Minnesota - I returned to the Middle East for a year in 1970-71 to study at the American University of Beirut.
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The most energetic and prompt measures and the immediate appearance in arms of a large and overpowering force are recommended to Congress as the most certain and efficient means of bringing the existing collision with Mexico to a speedy and successful termination.
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I think of making a movie in such a romantic way.
