Henry Rollins Quotes
Not that the writers weren't good. I believe in those books and those writers very much. It's just that in the climate it's really hard to keep the lights on and the doors open when you're selling poetry and literature that appeals to a fringe audience.

Quotes to Explore
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I'm sort of contrary and stubborn sometimes. When everybody says, 'You have to read this book! You have to read this book!' I'm like 'Oh, I'll get around to it.'
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The Beduin could not look for God within him: he was too sure that he was within God.
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Introspection, or 'sitting in the silence,' is an unscientific way of trying to force apart the mind and senses, tied together by the life force. The contemplative mind, attempting its return to divinity, is constantly dragged back toward the senses by the life currents.
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I didn't have a thing to do with picking a coach, and didn't want to. But I didn't think they'd pick one I didn't like.
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I wasn't a ladies' man.
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I have got to the point in my life when a lot of people I know have died or are dying, so I realise that somewhere outside the pearly gates is a queue, shuffling nearer and nearer to the celestial box office.
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The great thing about Gospel is that you don't have to have an album every year in order to keep working.
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When you're in trouble, all you need is your bank card and passport, and you're fine.
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I've always gone for the more sensitive, bookish guy, totally. The jock boys, the sporty guys, I don't know... they just didn't do it for me.
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I'm all about a flat shoe. It takes a lot to get me into a heel!
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Foreign politicians don't have resources - or limited resources. It's useless dealing with them.
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It's really important, especially for young girls, to see that if you fall down, you get back up. If you get sick, you get back up. People are going to say what they want.
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It used to be that watching a film was a very special occasion, the same way flying was. Before, if you took a flight from New York to L.A., most of the windows would be open. Now, we get on planes and we just close them because we're so used to what it feels like. I think the same thing has happened with cinema.
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I grew up in Hollywood during WWII, and my mother was afraid that my father was going to be drafted because she didn't think we were going to be able to live on army pay. She didn't want to have to get a job, so she decided to put me to work, and that's how I got started in the movies.
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I don't know how I got out of some of the scrapes I was in. But I know that there's some sort of plan.
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Loss of hope rather than loss of life is what decides the issues of war. But helplessness induces hopelessness.
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The magnificent cosmos is a palace that has the sun and the moon as its lamps and the stars as its candles; time is like a rope or ribbon hung within it, on to which the Glorious Creator each year threads a new world.
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I wanted to come back with the team I grew up with.
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Weaknesses have a certain function in a poem... some strategy in order to pave the reader's way to the impact of this or that line.
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When God created man and woman, he was thinking, 'Who shall I give the power to, to give birth to the next human being?' And God chose woman. And this is the big evidence that women are powerful.
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Fundamentalists are crazy. They're the real world equivalent to the evil geniuses of our spy fiction and our superhero comics. They want to mold the world into a specific shape that they really believe in, and if you don't believe in that, if you can't relate to that, it just seems crazy.
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There must be something in books, something we can’t imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing.
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Not that the writers weren't good. I believe in those books and those writers very much. It's just that in the climate it's really hard to keep the lights on and the doors open when you're selling poetry and literature that appeals to a fringe audience.