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I've worked with actors who treat the first two takes like rehearsals. And that's okay. If the camera is on you and we're doing a scene where I'm off camera, I'm treating that as a rehearsal.
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I've always been terrified about being bored. I always think being bored is the worst thing. The only strategic decision I ever made as an actor was to try and make each job as different as possible.
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I've always loved teaching acting. I think it helps me to kind of get back to basics. It's like a refresher course for me as well, so in a sense, I'm hopefully learning as much as my students are - or at least discovering or re-discovering as much as they are. I find that when I teach, I'm reminded of my own sort of failings. I'm reminded of where I sometimes keep going wrong.
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I do remember being a fan of the Marvel characters and not liking the DC characters at all.
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And I think it's because good cons are all based on the victim's need, and the successful con artist is the one, I guess, who can exploit that. I remember reading something about this, that one of the great traits of confidence tricksters is the level that they flatter their victim.
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If anything, as a general rule, the cheaper the movie the more creative the experience, generally speaking. Its not to denigrate expensive movies. I dont want to seem biting the hands that feed me, but with big movies, especially with a lot of effects, the role of the actor is somewhat diminished.
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My wife and I use a lot of garlic and rosemary with roast lamb. It has to be New Zealand lamb. The domestic variety is too gamy, in my experience.
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I love working fast. I don't relish the director who wants to do 25 to 30 takes, or the actors who insist on doing 25 or 30 takes.
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I love playing villains.
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I think it would be a problem if Hollywood was casting British actors only as villains; if that were the case, then certainly there would be cause for concern.
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I've been acting for 25 years, living out of suitcases on theater tours or film locations.