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I strongly encourage listening to the radio to hear something you haven't heard before. It's a very healthy thing to do. It's strange: unless you reload your iPods every couple of weeks, you're listening to and recycling the same music all of the time. I'm serious. Listen to your radio station.
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We also did something called the Texas Peace Festival, which was actually a better gig both musically, and in the way it was organised.
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My solos are more tastefully conceived now. But I still get going in places. It's just that I build up to it now. I don't race off on a solo. I take my time.
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I think I'll continue to work as a solo artist.
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That's the kind of musical freedom I like: jazz, rock, blues, anything. You adopt different attitudes when you play different music.
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My father was always playing this ethnic blues stuff around the house, and both my parents played. Then one day my father brought home Big Bill Broonzy, and there he was sitting in our living room playing, and blues was in my heart from the time I was 12 years old.
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I just couldn't take school seriously: I had this guitar neck with four frets which I kept hidden under the desk. It had strings on it so I would practice my chord shapes under the desk and that's about all I did at school.
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I went to see John Mayall at the Marquee, with Peter Green on guitar, and that was a particularly good gig.