Lillian Gish Quotes
Quotes to Explore
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I have definitely worked on that... being efficient and also being smarter with my pressure.
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Elvis was a big influence to my music, but Loretta Lynn was, as well.
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You don't go out and change your gender for a television show, O.K.? It ain't happening. I don't care who you are.
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I like to be supportive and a role model.
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I find the whole situation of confronting an audience terrifying.
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You have to be brave when you've got a kid.
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Italy's assets are her style, her beauty, her creativity, her passion, her energy, her technology; and these will be core brand values of all our cars. Fiat as a company has a long way to go and a steep road ahead.
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I did as much research as I could and I took ownership of this illness, because if you don't take care of your body, where are you going to live?
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In our recovery package we put new standards of accountability and transparency, which we hope will now apply.
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The Tao that can be told is not the eternal Tao; the name that can be named is not the eternal name. The Nameless is the origin of Heaven and Earth; the Named is the mother of all things.
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I don't know that I would want to be married again, but I do love companionship.
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Even the most embarrassing mishap can be spun into comedic gold.
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I'm not the perfect model of what an athlete should be, mentally or physically.
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All I remember is the last time I played a videogame, it was Space Invaders.
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We live a happy life, and we don't take anything too seriously.
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The way to a man's heart is through his chest.
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The events in the square, of course, made a deep impression on me and many other parents.
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I don't like to look typical.
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Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
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It's irresponsible to put uncorroborated information on the Internet.
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The work of art is an ostentatiously improbable occurrence.
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The dance, just as the performance of the actor, is kinesthetic art, art of the muscle sense. The awareness of tension and relaxation within his own body, the sense of balance that distinguishes the proud stability of the vertical from the risky adventures of thrusting and falling--these are the tools of the dancer.
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Thalberg wanted commercial hits. I wanted art.
