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I started modeling at 14. It's simple. You respond to what the photographer wants and wear other people's ideas. I got bored with it, though, so I went to university.
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The need to protect the environment has emerged as an undeniably important priority for me.
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I'm not against people buying clothes; I think clothes are wonderful, and I'm very materialistic myself - but there's a way of finding a compromise. I just think we can buy less and pay more, to make sure people aren't being exploited.
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It's not that I don't believe in creativity and innovation and new ideas, and the creativity that comes with fashion, which I really respect. But one of my biggest concerns is just how cheap we expect everything to be.
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I don't believe there's an afterlife - but I don't believe there's an end to life. Consciousness goes beyond the bounds of your body.
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I'm not sure if it's fair to call it a 'fairy tale,' but I really loved 'Mulan,' the Disney film. It was my favorite. I guess it's not really a fairy tale, but you do get Eddie Murphy as a dragon.
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I always used to love couture because it was more theatrical than the runways. The runways always felt more like part of the machine.
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I paint - I tend more to abstraction - but not as much as I would like to because of time. I would love to do sculpture - I've toyed with the idea of fitting in a sculpture course.
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Giving triggers social cohesion. It's also the basis for an economy not based on money.
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In British culture, redheads get teased at school. But I've grown up enough to realize I love my hair.
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I love modeling but also see it as a platform for the million other things I want to achieve and create in life.
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If I'm anywhere close to where I can hike or swim, that's my favourite thing to do.
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Life is shining a light through a magnifying glass on me, looking for me to stumble. I think that's my biggest fear.
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When I was younger, I definitely did face anti-ginger prejudice. As a child, all teasing hurts, whether it's because you're fat or a different race or have red hair. I had enough comments from a couple of people to make it a sore point.
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There's an inherent contradiction between appreciating the beauty of clothes and creativity and individuality, and the waste around the ideas of trends and seasons.
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Don't overpluck your eyebrows. A make-up artist told me this once, and I've always remembered it.
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I think the media are so hypocritical a lot of the time in the way they chastise something just so that they can print it again.
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With acting, if I'm any good at it, my modeling career would never be a hindrance but would rather be a help. And if I'm not, then it doesn't really matter.
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I love beautiful things; I like having nice clothes, and I can appreciate why other people do - but I've also started to learn more about the impact of what we buy: how things are made, how much you buy and the quality of everything.
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I guess I try and learn all the time from every experience in life, so my thinking is a hybrid of everything. I'd have to attribute some of that to my work in the fashion industry - in some obscure way.
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I part-own a bookshop for some strange coincidence of reasons, and it is one of the best things I part-own in my life, or own in my life. I do not know, it just feels great.
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I've always cared about issues, always thought through problems. I don't know how much that comes from my personality or my mum.
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Marilyn Monroe and Vivienne Leigh are real icons of mine. In terms of visual culture, they are both so iconic. There weren't any paparazzi shots of them falling out of taxis, so they will always look so incredible.
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The relationship between art and a job is not quite linear, but I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid.