Alyssa Milano Quotes
I've dated the sweet mama's boy, the musician rocker, the struggling artist - basically a lot of people without jobs.
Quotes to Explore
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I have been known as the minimal and conceptual artist for over five decades. I think I haven't changed much.
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I don't believe in God personally but I have great respect for those people who do and different people have different religious views in this country.
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I think with girlfriends, you always want your girlfriends to make the decisions for themselves, not based on a boy, not based on anything other than, 'Is this what you want?' Is this you know what you want to do?' And that's real support to me.
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People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
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I've never had to explain 'Prometheus' to people, ever. Most people get it.
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I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.
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I was in my mid 20s when email finally took off. Until then, the phone was my primary way of connecting with the people in my life.
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It's important that people come see our show, because we are performers. We wanted people to see that.
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The wiser you get, the more experience you have, and the more you see people for who they are as human beings, as opposed to figures you have to fight against.
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I learned the importance of being confident. I think that at the end of the day, it's not so much about what you look like - it's really about the way that you feel. That resonates with people.
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When people talk about the impact of mobile dating, everyone focuses on real-time meeting - this idea that my pocket will vibrate every time a hot girl walks by. That's important. But it's not transformative.
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Where I come from, if you weren't a drag queen or a radical thinker or a performance artist of some kind, you were the weirdo.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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Traditional credentialing really doesn't have a lot of predictive value to if people will be successful.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.
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It's so inspiring to be around other people who have ideas you haven't thought of, and all of a sudden you're like, 'Wow! That's so amazing!' I definitely want everything I do to just get better and better.
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And then in 1956 or 1957 my family went over to Europe and I moved over with them, and immediately people in Europe thought my perspective on that issue was 100% correct.
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Sweet is the memory of past troubles.
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Whether art is defined as a representation of or response to reality, it demands an intense engagement with things we haven't managed to understand fully.
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I want to be a better writer. I want to learn and grow, to know how to tell stories in a different and more challenging way. I've learned it doesn't get easier each time. It actually gets harder.
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Every time I drive into Rio from the airport, I see the city for the first time and think how strange it is.
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I've dated the sweet mama's boy, the musician rocker, the struggling artist - basically a lot of people without jobs.
