E. M. Forster Quotes
It comes to this then: there always have been people like me and always will be, and generally they have been persecuted.
Quotes to Explore
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I get a lot of influence from pro wrestling. People are like, 'Oh, it's fake.' But it's not about whether the guy wins or loses, it's about how he entertains you the whole time you're watching.
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I shifted my career when I was 44 to quit the Washington beats. I had a great Washington beat, a series of them, and I quit to start my tech column, which was a different kind of tech column.
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I'm very close with Bob and his lovely, fabulous wife Catherine, too.
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Each of our 900 shows so far was different - maybe that's what makes the fans come back to our gigs time and again. And that they're always part of the show. Phish concerts are a communal experience.
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We must all learn to adjust with our surroundings.
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I think the biggest part of a good party is the host and then going around making sure nobody's left alone and knows enough about the people in the room to know who to introduce to whom.
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I really bonded with my mom, growing up, through our love of horror movies!
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I have a company called Earl Campbell Foods. I got into the meat business in 1991.
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Working with Mellencamp, I made new fans, people that may have never heard of me. They may have heard I was related to the Carter Family or Johnny Cash somehow, but what they got was pure Carlene.
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The 77 cents that women make for every dollar men earn makes a real difference to our families - families stretching to make every dollar count.
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Throughout history, clothes represented who you were; they are a great vehicle for explaining who you are. During the Ching dynasty, for example, what you wore and how it was made reflected your status in society. People could literally read your clothes like a book, just by its color and how it was embroidered.
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I don't know what other people are like, I haven't been able to crawl inside anybody else.
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It's an honor to live in and serve the great City of Los Angeles. I'm also immensely grateful for the support I've received from Ireland.
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It's like the brooding hen sitting over a china egg.
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You think, 'You hired me because I'm a creative artist with a vision. Don't try and knock it out of me.'
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A revolution is a struggle to the death between the future and the past.
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Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar plexus or kidneys or head.
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The combination of the CGI, 3-D, and sound effects, it's just impossible to separate them. It gives you a more immersive experience, and I prefer that.
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I will miss the association with the players and coaches. It has been a great ride.
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Opportunity knocks, but doesn't always answer to its name.
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I treat the photograph as a work of great complexity in which you can find drama. Add to that a careful composition of landscapes, live photography, the right music and interviews with people, and it becomes a style.
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It's true that the French have a certain obsession with sex, but it's a particularly adult obsession. France is the thriftiest of all nations; to a Frenchman sex provides the most economical way to have fun. The French are a logical race.
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I'm thinking about recording everything to tape like it's 1991 and seeing how that sounds.
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It comes to this then: there always have been people like me and always will be, and generally they have been persecuted.
