Lindsey Buckingham Quotes
We've always had the sensibility that you work on the set, and you structure it, much like a play, where once you've got the lines down and blocking right, you freeze it, and then you go out and do what you're doing night after night. You want to structure something that has form and that builds the right dynamic from start to finish.
Quotes to Explore
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I worked on 'Lonesome Dove' three weeks all together. When I heard they were doing it, I wanted to be involved since I'd read the book.
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As you get older, challenges arise that you aren't prepared for, but what got me through it was music.
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I'd love to work with David Lynch. I'm such a big fan. He's a genius.
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I don't regret doing any of my films. All of them have been great learning experiences, and they have contributed to making me what I am today.
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In the experience of art, time seems not to exist.
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Democracy is now going forth on a crusade against imperialism.
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In the search for culpability for the tragedy in Ferguson, I mostly blame politicians.
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At the Museum of Roman Art, the logic of the forms is very much modern. But in spite of that, the idea of the construction could be related to a historical time.
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Only through loving and supporting one another, even in the face of unbearable pain and suffering, will this cycle of violence end.
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I had been very focused on the issue of education disparities in our country, and literally, by the time kids are just nine years old, in low-income communities, they're already three or four grade levels behind nine-year-olds in high-income communities.
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I never dreamed that shooting a film would be so hard. There was less regulation then of child actors' hours. Even the concept of acting confused me.
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A lot of American playwrights seem to have a career as a playwright. I don't consider it a career at all.
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I think the Supreme Court has not yet caught up to an era in which one keeps one's papers in a cloud, not a castle.
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I am ready to fight according to the rules, and I ask for the opportunity to prove myself.
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There's a thing in the U.K., particularly in London, where it's kind of the idea of subculture and counterculture and the outside and the idea that it's great to be a freak, and the freak always wins. So I think English girls are a lot less scared of being the freak or looking like an idiot.
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Back home, almost everything I did, I did in Hebrew. I went to drama school in Hebrew, my whole career was in Hebrew, and to switch languages was something that was fascinating and more complicated than I expected it to be, even though I've been speaking English since I could speak.
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I still believe heavily that we have to be careful about having this ego and hubris as a successful corporation, that we should do it all. Because then I think we start to fail our customers and we're too focused on taking over the world.
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Some ticket buyers think they don't like Jews.
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The best way to inspire people to superior performance is to convince them by everything you do and by your everyday attitude that you are wholeheartedly supporting them.
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I spent a lot of time behind the Iron Curtain, and their cars were abysmal.
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I sometimes wonder why the aristocracy isn’t extinct, the lot of you seem so stupid sometimes.
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When you work with people who are so passionate about their product it's kinda inspiring.
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A director has to be on the set when the crew is called and is the last one to leave at night. I'm not saying it's not possible, but that's partly why we're not seeing more women.
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We've always had the sensibility that you work on the set, and you structure it, much like a play, where once you've got the lines down and blocking right, you freeze it, and then you go out and do what you're doing night after night. You want to structure something that has form and that builds the right dynamic from start to finish.
