Lynn Redgrave Quotes
Quotes to Explore
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I feel like we all have our skeletons.
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I'm not a runner, and I always dreamed about just throwing on my sneakers and really knocking everyone's socks off with my joy of traversing the world by foot.
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I would like to do a duet with Taylor Hanson, because I have loved Hanson since I was 8.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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From a very young age, I wanted to get up on stage whenever I went to the theatre - the actors just seemed to be having so much fun. One of my worries about theatre, in fact, is that the actors are quite often having more fun than the audience.
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After World War I the resentment of the working class against all that it had to suffer was directed more against Morgan, Wall Street and private capital than the government.
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William Shatner has one style. We have completely contrasting personalities. We're very good friends. I adore him, but we're very different people, so they were smart enough to write characters that reflected that.
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I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
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I rarely think about myself that much. I really don't.
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We're raising a generation of kids who are being overly praised for incredibly minor accomplishments. I think it's counter-productive.
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I do find walking is fundamental to my creative process.
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My first inspiration for acting came from the first episode of 'Hannah Montana.' That's when I knew I wanted to be a singer and an actress.
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There are no silos at 'Frontline.' Our digital team works with our filmmakers, and our filmmakers work with our digital team. They're always in touch, and they're always talking.
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I think I'm a very intuitive actress.
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I'm an artist, and I'm a bit weird, and I'm probably a bit eccentric.
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There are many things we do not want about the world. Let us not just mourn them. Let us change them.
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My role in it was not as central as it was in some of the later cases considering I was younger then and I was playing a role of co-counsel on the case.
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'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
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The 'punch' of a truly weird tale is simply some violation or transcending of fixed cosmic law - an imaginative escape from palling reality - hence, phenomena rather than persons are the logical 'heroes.'
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I feel like with every performance that I see, I get better because I've always thought - while I'm watching people perform - of what I would do.
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I worked on 'Lonesome Dove' three weeks all together. When I heard they were doing it, I wanted to be involved since I'd read the book.
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War happens to people, one by one. That is really all I have to say and it seems to me I have been saying it forever. Unless they are immediate victims, the majority of mankind behaves as if war was an act of God which could not be prevented; or they behave as if war elsewhere was none of their business. It would be a bitter cosmic joke if we destroy ourselves due to atrophy of the imagination.
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I'm also doing constant book readings, movies. You name it, I'm doing it.
