Lynn Redgrave Quotes
Quotes to Explore
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I feel like we all have our skeletons.
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I'm not a runner, and I always dreamed about just throwing on my sneakers and really knocking everyone's socks off with my joy of traversing the world by foot.
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I would like to do a duet with Taylor Hanson, because I have loved Hanson since I was 8.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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From a very young age, I wanted to get up on stage whenever I went to the theatre - the actors just seemed to be having so much fun. One of my worries about theatre, in fact, is that the actors are quite often having more fun than the audience.
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After World War I the resentment of the working class against all that it had to suffer was directed more against Morgan, Wall Street and private capital than the government.
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William Shatner has one style. We have completely contrasting personalities. We're very good friends. I adore him, but we're very different people, so they were smart enough to write characters that reflected that.
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I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
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I rarely think about myself that much. I really don't.
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We're raising a generation of kids who are being overly praised for incredibly minor accomplishments. I think it's counter-productive.
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I do find walking is fundamental to my creative process.
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My first inspiration for acting came from the first episode of 'Hannah Montana.' That's when I knew I wanted to be a singer and an actress.
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There are no silos at 'Frontline.' Our digital team works with our filmmakers, and our filmmakers work with our digital team. They're always in touch, and they're always talking.
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I think I'm a very intuitive actress.
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I'm an artist, and I'm a bit weird, and I'm probably a bit eccentric.
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There are many things we do not want about the world. Let us not just mourn them. Let us change them.
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My role in it was not as central as it was in some of the later cases considering I was younger then and I was playing a role of co-counsel on the case.
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'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
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The faith a movement proclaims doesn't count: what counts is the hope it offers. All heresies are the banner of a reality, an exclusion. Scratch the heresy and you will find the leper. Every battle against heresy wants only this: to keep the leper as he is.
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My wife was my greatest asset. I didn't marry her until after World War II, but she has complemented me in every job I've ever had
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You write differently in each book. It may appear to be similar to readers, but you're a different writer in each book because you haven't approached that subject before. And every subject brings out a different prose strain in you. Fundamentally, yes, you're contained as one writer. But you have various voices. Like a good actor.
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Reading was such a formative part of my childhood (along with 'Loony Tunes'), that it is difficult to pin point the most influential book. But, under an interrogation light I would probably have to say 'Jane Eyre' by Charlotte Bronte.
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Performing on stage is what I've done since I was a kid and it's where the passion that has started from the very beginning for me, and that's what I'm going to enjoy.
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I'm also doing constant book readings, movies. You name it, I'm doing it.
